Bapsi Sidhwa, a Pakistani-born American novelist, is renowned for her contributions to postcolonial literature, offering a distinctive Parsi perspective on the cultural and political landscape of the Indian subcontinent. Sidhwa's work, including The Crow Eaters, The Bride, and Ice-Candy-Man (also known as Cracking India), explores themes of cultural hybridity, gender, and identity against the backdrop of significant historical changes, notably the Partition of India in 1947. Her narratives often focus on the interplay between personal and political upheavals, using humor and satire to examine Parsi culture, as noted in Roast Cat. The Crow Eaters, praised for its humor, follows the exploits of the charming rogue Freddy Junglewalla, highlighting themes of familial conflict and social mobility, as explored in The Parsi Paradox in The Crow Eaters. The Bride and Ice-Candy-Man provide insights into the complexities of cultural and gender dynamics during the Partition, with Ice-Candy-Man: A Parsi Perception on the Partition of India highlighting the impact on the Parsi community.

Sidhwa's move to the United States and subsequent citizenship inspired An American Brat, which examines the immigrant experience and cultural conflicts faced by a young Parsi woman adapting to American life. While some, such as Review of An American Brat, critique its narrative simplicity, others, including Feroza Goes Native, celebrate its engaging portrayal of cultural adaptation.

Despite mixed reviews on certain works, such as the narrative technique in Ice-Candy-Man criticized by The Melting Stomach, Sidhwa's portrayal of complex female characters and exploration of socio-political realities have earned her acclaim. Her ability to intertwine personal narratives with broader cultural and historical themes solidifies her reputation as a significant figure in feminist postcolonial literature, as discussed in My Place in the World.