Mrs. Brookenham’s drawing room
Mrs. Brookenham’s drawing room. Central meeting place in the home of the Brookenhams’ home at Buckingham Crescent in London. It is not the room itself but what happens in it that provides its great symbolic importance for Henry James and his characters. What happens in the room is mainly talk—talk that is described by the characters who engage in it as free and outrageous. However, talk leads to knowledge, and knowledge can violate the innocence of the young Victorian woman Nanda Brookenham and thereby ruin her chances in the marriage market.
James places an almost salacious symbolic importance on the fact that Nanda must “come down” if she is to become a regular visitor to the drawing room, instead of remaining safely upstairs in her bedroom. He and his characters view Nanda’s passage from innocence to knowledge as a mini-fall, both in the modern sense and in the popular Victorian image of the “fallen woman.” Only in one of his novels could a fall be accomplished by talk alone; however, from the beginning of his writing career James set a much higher store in the workings of consciousness than in those of action.
Mertle. Country house let to Mitchy, a friend of Nanda’s mother and one of Nanda’s suitors, in which most of the novel’s characters gather for a getaway. Despite the house’s beauty, it becomes the subject of a debate between Nanda and Mr. Longdon, who cannot understand the modern carelessness that...
(The entire section is 626 words.)