Edna married Leonce because she felt flattered by his devotion, thought they shared similar tastes, and wanted to rebel against her family's opposition. Leonce is considered a model husband for his time by societal standards, but his expectations for Edna to conform to traditional roles reveal that he is not an ideal husband by modern standards, as he disregards her feelings and independence.

In chapters 4-8, a "mother-woman" is described as charming, empathetic, and dutiful. These women idolize their children, worship their husbands, and selflessly devote themselves to family duties. They are characterized by their grace, compassion, and productivity, often engaging in domestic tasks like sewing and planning for their family's needs. Adèle Ratignolle exemplifies this ideal, in contrast to Edna Pontellier, who lacks these traditional maternal instincts.

Edna and Chopin do not seem to have much concern for women of color. They are treated as servants, despite their own personal desires, and Edna is never shown interacting with them.

The Awakening can be explored as a feminist text through its portrayal of Edna Pontellier's struggle for independence and self-identity. It challenges traditional gender roles and critiques societal expectations of women in the late 19th century, highlighting issues such as autonomy, sexual freedom, and the constraints of marriage.

Kate Chopin's The Awakening is a seminal feminist text that critiques the restrictive gender norms of late 19th-century society. Through the protagonist, Edna Pontellier, Chopin explores the limitations imposed on women, highlighting Edna's struggle for independence and self-identity against societal expectations of marriage and motherhood. Her rebellion, illustrated by her extramarital affairs and eventual move to live alone, underscores the oppressive nature of the patriarchy. Despite her tragic end, Edna's journey challenges the notion of women as mere extensions of their husbands, advocating for female autonomy and emotional freedom.