“The Autopsy” is a short free-verse poem consisting of ten lines, the majority of which are long and flowing as well as rich and evocative. The remainder—the fifth, seventh, and tenth lines—are economic, almost laconic, and comment on or serve as links to the lines that precede or follow them.
The poem is written in the third person; this not only amplifies the objective, detached perspective that the title implies but also contributes to the analytical tone of the poem. The nostalgic, evocative language which the poet uses to describe the “findings” of the autopsy, however, belies this objectivity, thus creating the tension of the poem; this tension is sustained until the final line, which signals completion and fulfillment.
The poet permits only certain parts of the body to be dissected. Specifically, those parts are related to the senses through which he perceives the sources in the physical world which awaken and aid him in expressing his inner, poetic world.
First, the heart, the seat of all emotions, is examined and found to be permeated with the “gold of the olive root.” The olive traditionally symbolizes peace, immortality, and the Golden Age. For Odysseus Elytis, however, it is emblematic of Greek culture, its fruit having sustained the Greeks, physically as well as economically, through the olive oil trade. It is the quintessential Greek commodity, the “golden” gift of the gods. In the second line, the entrails are...
(The entire section is 605 words.)