Diamond, John. Review of The Sweet Hereafter, by Atom Egoyan. New Statesman (26 September 1997): 56–57.
Diamond suggests how a Hollywood version of The Sweet Hereafter might have differed from Egoyan's, and argues that the film—unlike Egoyan's earlier works—has a sense of hopefulness beneath the surface.
Egoyan, Atom with Lawrence Chua. “Atom's Id.” Artforum 33, No. 7 (March 1995): 25–28.
In this interview, Egoyan discusses his screenwriting process and the importance of colonial power in Exotica.
Howe, Desson. “Film Notes: After The Sweet...
(The entire section is 458 words.)