Best, Victoria. “Between the Harem and the Battlefield: Domestic Space in the Work of Assia Djebar.” Signs 27, no. 3 (spring 2002): 873-80.
Best considers the domestic confinement of women in Femmes d'Alger dans leur appartement as a representation of ideologically enforced physical and imaginary space.
Camhi, Leslie. “Discovering Liberation in French.” New York Times 149, no. 51317 (4 March 2000): B11.
Camhi provides an overview of Djebar's life, work, and cultural perspective upon the publication of So Vast the Prison.
Corbin, Laurie. “Divided Selves: The Language of...
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