As You Like It

As You Like It Criticism

• As You Like It (Vol. 57)
  • Introduction
  • Criticism: Gender Issues
    • Women in As You Like It: Community, Change, and Choice
    • 'To You I Give Myself, For I Am Yours': Erotic Performance and Theatrical Performatives in As You Like It
    • Call Me Ganymede
  • Criticism: History And Philosophy
    • Rosalynde Among the Familists: As You Like It and an Expanded View of Its Sources
    • Resolution, Catharsis, Culture: As You Like It
  • Criticism: Representation And Identity
    • The Disguises of Shakespeare's As You Like It
    • Travesty and Transgression: Transvestism in Shakespeare, Brecht, and Churchill
    • Visible Art and Visible Artists: Reflexivity and Metatheatricality in As You Like It
  • Criticism: Sports As Metaphor
    • The Idea of Hunting in As You Like It
    • Wrestling as Play and Game in As You Like It
  • Further Reading
• As You Like It (Vol. 69)
  • Introduction
  • Criticism: Overviews And General Studies
    • Introduction to The Oxford Shakespeare: As You Like It
    • Changing Places in Arden: As You Like It
  • Criticism: Character Studies
    • Rosalind, the Hare, and the Hyena in Shakespeare's As You Like It.
    • The Education of Orlando
    • The Tyrant Duke of As You Like It: Envious Malice Confronts Honor, Pity, Friendship
    • Silvius
  • Criticism: Production Reviews
    • Review of As You Like It
    • Verbal Magic
    • Urban Dystopias: Reapproaching Christine Edzard's As You Like It
    • Review of As You Like It
  • Criticism: Themes
    • Much Virtue in ‘If.’
    • Contrary Notions of Identity in As You Like It.
    • The Dispraise of the Country in As You Like It
    • Oratio and Negotium: Manipulative Modes in As You Like It.
    • ‘Tongues in Trees’: The Book of Nature in As You Like It
    • Kairos and the Ripeness of Time in As You Like It.
  • Further Reading
• As You Like It (Vol. 80)
  • Introduction
  • For Other Than for Dancing Measures: The Complications of As You Like It
  • Criticism: Character Studies
    • Shakespeare's Romantic Heroes: Orlando Reconsidered
    • Rosalynde and Rosalind
  • Criticism: Production Reviews
    • Review of As You Like It
    • Review of As You Like It
    • Review of As You Like It
    • Review of As You Like It
    • Review of As You Like It
    • Review of As You Like It
  • Criticism: Themes
    • Shakespeare and Ritual: The Example of As You Like It
    • Calling and Commonwealth in As You Like It: A Late Elizabethan Political Play
    • The Condition of My Estate: Conjuring Identity and Estrangement in As You Like It
    • Locating the Visual in As You Like It
  • Further Reading
• As You Like It (Vol. 90)
  • Introduction
  • Criticism: Overviews And General Studies
    • Existence in Arden
    • County Matters: As You Like It and the Pastoral-Bashing Impulse
  • Criticism: Character Studies
    • The Reform of a Malcontent: Jaques and the Meaning of As You Like It.
    • Feigning Female Faining: Spenser, Lodge, Shakespeare, and Rosalind
    • Daughters Who Act in Their Fathers' Stead: Portia (The Merchant of Venice), Viola (Twelfth Night), and Rosalind (As You Like It)
  • Criticism: Production Reviews
    • As Rosalind Grows, So Does an Actress
    • Poised Paltrow Is Jazzed Up
    • A Rosalind Who Is As We Don't Like It
    • Shakespeare's Ripping Yarn Is a Happy Treat
    • Cool Customers
    • Fidelity in a Forest
    • Review of As You Like It
  • Criticism: Themes
    • Layers of Disguise: As You Like It
    • As You Like It, Rosalynde, and Mutuality
    • Religion in Arden
  • Further Reading
• As Who Liked It
• As You Like It (Vol. 34)
  • Introduction
  • Overviews
    • No Exit from Arden
    • As You Like It: The Worlds of Fortune and Nature
    • 'Most Faining': Wits and Wise Fools in As You Like It
    • 'Try in Time in Despite of a Fall': Time and Occasion in As You Like It
    • Female Friends and Fraternal Enemies in As You Like It
    • The Political Conscious of Shakespeare's As You Like It
  • Appearance Vs. Reality
    • Shakespeare's Heroines: Disguise in the Romantic Comedies
    • The Dramatization of Double Meaning in Shakespeare's As You Like It
  • Pastoral Elements
    • Perspectives on Pastoral: Romance, Comic and Tragic
    • Telling the Trees from the Woods: Some Details of As You Like It
    • Social Rank and the Pastoral Ideals of As You Like It
  • The Role Of Women
    • The Figure of Rosalind in As You Like It
    • Shakespeare's Rosalind: The Strong Woman in the Comic Tradition
  • Further Reading
• The Political Conscious of Shakespeare's As You Like It
  • Introduction
  • I
  • II
  • III
• Reification and Utopia in As You Like It: Desire and Textuality in the Green World
  • Introduction
  • Power and the Green World
  • The Textuality of the Green World
  • Desire in Utopia
  • Utopian Consequences
• The Doubled Jaques and Constructions of Negation in As You Like It
  • Introduction
  • I
  • II
  • III
• As You Like It (Vol. 46)
  • Introduction
  • Overviews
    • "As You Like It" and the Idea of Play
    • Fathers and Children: Matter, Mirth, and Melancholy in As You Like It
  • Touchstone
    • To the Point of Folly: Touchstone's Function in As You Like It
    • Shakespeare and Two Jesters
    • Touchstone in As You Like It
  • Sexual Identity
    • As You Like It: Homosexuality in Shakespeare's Play
    • Chapter 3
    • Queering the Shakespearean Family
  • Time
    • As You Like It: 'Subjective', Objective', and 'Natural' Time
    • As You Like It: Et in Arcadia Ego
    • The Way to Arden: Attitudes Toward Time in As You Like It
  • Further Reading