Chapter 8
Julian is alone in the office going over the financial situation of his car dealership. He deceives himself by thinking he needs five thousand dollars when, in fact, he knows two thousand would be enough. When last year he asked Harry for a loan, he also requested more than he needed because his reasoning was that getting a big sum was as hard as getting a small one. Julian thinks that it was easier to see less of Harry during the summer than during the winter. He thinks that Harry must have been less obnoxious last summer than he is now or else he, Julian, wouldn’t have requested such big loan. But he discards this thought and admits that Harry hasn’t changed. These considerations lead him to think about the relationship between Caroline and Harry. Julian thinks that you can prevent something bad from happening by anticipating it in your mind. Therefore he must turn his thoughts against Caroline and Harry’s sexual attraction in order to defeat its realization. But then fear takes over his thoughts, and he thinks that if Caroline ever opened herself to another man she would “close herself around him,” and “it would be forever.” He reaches for his Colt .25 automatic and goes to the washroom. He puts the barrel of the pistol in his mouth and tastes the oil in it. He washes himself and returns to his desk, where he smokes and drinks whiskey. He pities himself. Caroline calls on the phone and tells him he must stop mistreating Mrs. Grady. She threatens with calling off the party if he returns home drunk. Julian drives to the Country Club, where only some elderly lawyers from Gibbsville and other towns are having lunch. Froggy Ogden shows up, and Julian acts snotty. Froggy says that he hasn’t come for a friendly chat. When Julian belittles Froggy’s alleged sense of superiority over having lost an arm in World War I, Froggy insults him and reproaches his behavior the night before. Caroline is his cousin, Froggy says. When he knew she was going to marry Julian, Froggy tried to stop her because he never thought Julian was any good. The tension between the two men increases, and Froggy challenges Julian to a fight. Julian declines because he likes Froggy and wouldn’t fight a one-armed man. The club’s steward and some patrons join the squabble, and Julian ends up fighting off all of them. He runs to his car. As he is about to leave, Whit Hoffman shows up, but Julian flees. Julian thinks that, if Froggy hates him, Whit must hate him too. He finds the fastest way out of Gibbsville. As he drives, he thinks about the different zones that surround the familiar area where home is. He realizes it’s three-eleven in the afternoon and that it hasn’t been forty-eight hours since he threw a highball at Harry’s face. While he turns around in the direction of Gibbsville, he fantasizes about running away and becoming someone else.
Mrs. Walker, Caroline’s mother, is one of the most respectable and attractive old ladies in Gibbsville. She is shallow and raised Caroline in a hands-off way. The relationship between mother and daughter is comfortable but emotionally detached. When Caroline brings her mother the news that she wants to divorce Julian, Mrs. Walker struggles to accept the idea that her daughter would do such a thing. Caroline tries to get her mother to open up about her own marriage, but Mrs. Walker remains reserved and treats Caroline like a child. Outside her mother’s house, Caroline finds Julian. They exchange belligerent...
(This entire section contains 958 words.)
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words, and Julian indicates that he did something bad at the Club. When Caroline begins to cry, he asks her to run away with him. She refuses and insists on knowing what happened at the club. Julian wants her to go home with him. She calls off the party. Julian makes vague allusions to something terrible that might happen. They part.
Analysis
Contrary to what happened to many during the Great Depression, financial ruin is not the cause of Julian’s descent into self-destruction. The events in this chapter show that Julian’s inability, or perhaps unwillingness, to reclaim his reputation and self-respect are the result of his own personal flaws, as well as the lack of authenticity in his relationships. The final words that Julian and Caroline exchange describe not only a trivial matter—how to handle the cancellation of that evening’s party—but the absence of honesty and the inauthentic quality of their relationship: “But it’s nicer for us to be agreeable and sort of phony about it,” says Julian in regards to the excuse that they will give to their guests regarding the party’s cancellation. As for Julian’s own limitations, the final scene outside of Mrs. Walker’s home shows the tension between Julian’s deep desire for Caroline—“running away” with her—and his indulgence in acting self-destructive and smug in front of her. The interaction between Caroline and her mother also emphasizes the phony quality of the characters’ attachments. The exchange between mother and daughter and the argument between husband and wife provide two of the most accomplished examples of O’Hara’s ability to write dialogs in which the characters don’t say what they mean and, at the same time, don’t mean what they say. This chapter also contains a striking example of the author’s use of sensory experiences to bring readers into the world of the novel. The gun in Julian’s mouth, in addition to serving as yet more foreshadowing of the protagonist’s fate, introduces the touch and taste of death.