Apple sauce for Eve

by Marge Piercy

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Historical Context

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In the twilight years of the twentieth century, Jewish women in America grappled with challenges that resonated deeply across the spectrum of femininity: the quest to balance an inner drive for self-fulfillment, liberty, and for many, a career, against the backdrop of "traditional" roles defined by the expectations of being wives, mothers, and homemakers. This dilemma has been a perplexing riddle for countless women since the dawn of the women's liberation movement in the late 1960s and the early 1970s. Yet, for those whose faith and cultural roots prescribe traditional gender roles, the struggle bore an extra layer of complexity. Though timeworn constraints slowly began to loosen their grip—allowing Jewish women to venture beyond the confines of home and amplify their voices within religious services—many remained tethered to the belief that familial obligations must eclipse personal ambitions, acquiescing to the inherent patriarchal fabric of Judaism.

A pivotal schism regarding gender roles within Judaism exists between the Orthodox and Reform branches. For followers of Jewish orthodoxy, the ancient Holy Scriptures delineate distinct roles for men and women; to deviate from these divine prescriptions is akin to renouncing them. Orthodox Jews uphold that their adherence is not rooted in a desire to suppress women but in an unwavering commitment to divine decree. This most traditional sect has faced the profound tension between age-old customs and the evolution of modern society, with the ordination of women as rabbis at the heart of a contentious debate. For many within this community, the matter transcends human discourse, governed instead by a higher law that bars women from the rabbinate.

Conversely, the Reform branch has been a vanguard for women's rights and liberties within the Jewish faith. Women have ascended to the rabbinical mantle for over thirty years—since Sally Priesand's groundbreaking ordination in 1972. Beyond attaining roles of spiritual leadership, women in Reform Judaism have embraced a broader sense of autonomy and independence, mirroring the freedoms enjoyed by their non-Jewish peers. They skillfully weave their respect for enduring Jewish values—family, children, and religious observance—into a tapestry of liberal, modern life, harmonizing tradition with contemporary sensibilities.

The stringent Orthodox denomination likely inspired Piercy to pen "Apple sauce for Eve." For this most conservative sect, theological arguments regarding feminism pose a formidable challenge to reinterpretation or reform. However, in a groundbreaking move in 1998, certain Orthodox congregations began appointing female "congregational interns," granting them the authority to engage in rabbinical duties such as preaching, teaching, and advising on Jewish legal matters. Despite these advancements, these interns remain barred from leading worship services, leaving the feminist ambition for "equality" partially unfulfilled. Yet, some might argue that this signifies a narrowing of the chasm between steadfast historical practices and the tides of contemporary cultural evolution, even if by a small measure.

Literary Style

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Contemporary Free Verse

Born from the creative minds of illustrious French poets in the twilight of the nineteenth century, free verse has charmed the literary world for well over a century. Pioneers such as Rimbaud, Laforgue, and Viele-Griffin spearheaded a bold rebellion against the rigid conventions governing their cultural poetry, which demanded strict adherence to rhyme and meter. Free verse cast aside these shackles, embracing freedom without "rules"—though many poets craft their own unique rhythms, focusing on the flow of thought over the confines of rhyme.

Contemporary free verse transcends mere style to explore daring themes. By the dawn of the mid-twentieth century, poets, fiction writers, and other artists began venturing into realms of language and subjects once deemed forbidden. They boldly navigated topics like sexual exploration, violence, and deep-seated emotions, peppering their work with colloquial...

(This entire section contains 294 words.)

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expressions. Thus, free verse evolved into a more liberated art form, with its contemporary incarnation pushing boundaries even further than its predecessors.

In her poem "Apple sauce for Eve," Piercy eschews the constraints of traditional rhythmic patterns. Instead, she allows her words to cascade in fluid streams of consciousness, mirroring the natural progression of prose. As with many free verse compositions, Piercy's poem can be comfortably transposed into paragraph form, maintaining its essence and readability.

Reflecting the spirit of modern writers, Piercy embraces a bold palette of graphic language, raw subject matter, and vivid imagery. Her use of metaphors is striking, comparing Eve and the snake to "lab partners"—an inventive metaphor that underscores their mutual ambitions and enhances the scientific imagery woven throughout the poem. Furthermore, the term "snake" serves as a provocative metaphor for male genitalia, showcasing Piercy's fearless approach to controversial themes and candid expression. This audacity, she likely believes, amplifies the poem's impact.

Bibliography and Further Reading

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SOURCES

Clarence, Judy, Review of The Art of Blessing the Day: Poems with a Jewish Theme, in Library Journal, Vol. 124, No. 10, 1999, p. 120.

Mitchell, Felicia, “Marge Piercy,” in Dictionary of Literary Biography, Vol. 120, American Poets Since World War II, Third Series, edited by R. S. Gwynn, Gale Research, 1992, pp. 248–53.

Piercy, Marge, The Art of Blessing the Day: Poems with a Jewish Theme, Alfred A. Knopf, 1999, pp. 99–100.

Rosenbaum, Jean, “You Are Your Own Magician: A Vision of Integrity in the Poetry of Marge Piercy,” in Modern Poetry Studies, Vol. 8, Winter 1977, pp. 193–205.

Schneider, Steven P., “Contemporary Jewish-American Women’s Poetry: Marge Piercy and Jacqueline Osherow,” in Judaism, Vol. 50, No. 2, Spring 2001, pp. 199–210.

Seaman, Donna, and Jack Helbig, Review of The Art of Blessing the Day: Poems with a Jewish Theme, in Booklist, Vol. 95, No. 11, 1999, p. 959.

Taylor, John, Review of What Are Big Girls Made Of?, in Poetry, Vol. 171, No. 3, January 1998, pp. 221–24.

FURTHER READING

Piercy, Marge, Circles on the Water: Selected Poems of Marge Piercy, Alfred A. Knopf, 1982.

Published more than twenty years ago, this book has never been out of print. It is arguably the best overall introduction to Piercy’s poetry, including some of her best-known work on heartfelt, often controversial topics. Titles include “Barbie Doll,” “Rape Poem,” “Right to Life,” and “For Strong Women.”

———, Sleeping with Cats, William Morrow/HarperCollins, 2002.

This is Piercy’s memoir in which she openly and honestly reflects on many aspects of her life, from love and marriage to creativity and death. A lover of cats, she uses them here to help divulge her innermost feelings. In the book, she notes, “Cats continue to teach me a lot of what is important in my life, and also, how short it is, how we need to express our love to those for whom we feel it.”

Rodden, John, “A Harsh Day’s Light: An Interview with Marge Piercy,” in Kenyon Review, Vol. XX, No. 2, Spring 1998, pp. 132–43.

In this lengthy interview, Piercy discusses her political beliefs, her thoughts on Judaism, her involvement in the radical movement of the 1960s, and several other personal opinions. She relates most of the topics to an overall feminist agenda, both personal and political.

Walker, Sue, and Eugenie Hamner, eds., Ways of Knowing: Essays on Marge Piercy, Negative Capability Press, 1991.

This is a well-rounded collection of writings on Piercy’s work by critics from wide-ranging perspectives, but most critics applaud the poet’s strong feminist voice.

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