Antony and Cleopatra is one of Shakespeare's best known later tragedies. Written about ten years after Julius Caesar, Antony and Cleopatra portrays actual events and persons from Roman history, but unlike Julius Caesar it also embodies the love story of its title characters. For the historical background, plot and intimate details of the affair between the Roman general Antony and the Egyptian queen Cleopatra, Shakespeare drew upon the ancient Roman historian Plutarch's Lives; in fact, the description of Cleopatra upon her barge presented by the character Enobarbus in the play (II.ii.190-225) is nearly a word-for-word translation of a passage from Plutarch.
In Antony, Cleopatra, and Augustus Caesar, Shakespeare depicts characters that are larger than life, all three of the main figures commanding "planetary" status as rulers of the world and instruments of its destiny. Antony and Cleopatra is a very involved play, featuring rapid shifts between Cleopatra's palace in Alexandria, Egypt and Antony's homeland in Rome, along with two major battlefield sequences. There are in fact thirteen scenes in Act III and fifteen in Act IV. While some nineteenth and early twentieth century critics complained about the awkward structure of the play, recent interpretation has argued that this relentless movement in the middle of the play creates dramatic tension and reinforces the global scope of what is occurring on stage.
Antony and Cleopatra stands as one of Shakespeare's most poetic plays. It is noted for its evocative word paintings and vivid hyperbole. It is also regarded by many as a problem play, presenting as it does the ambiguity and ambivalence of life without providing clear or comfortable answers. The two lovers presented in the play may be world leaders, but they are also, after all, only human beings—flawed and aging ones at that. We as human beings share their mortality; many of us recognize their strong feelings of jealousy, love, shame, and insecurity. Despite their historical grandeur and thanks to Shakespeare's sensitive portrayal of them, Antony and Cleopatra are no more—and no less—extraordinary than we are.