Antonin Artaud Criticism
- Introduction
- Principal Works
-
Criticism: Overviews And General Studies
- The New French Theatre: Artaud, Beckett, Genet, Ionesco
- Artaud: A New Type of Magic
- Antonin Artaud: The Prophet of the Avant-Garde Theater
- Antonin Artaud: Metaphysical Revolutionary
- Artaud's Myth of Motion
- Artaud and the Participatory Drama of the Now Generation
- Artaud's Use of Language, Sound, and Tone
- The Schizophrenic and Language: Surface and Depth in Lewis Carroll and Antonin Artaud
- Artaud's Revision of Shelley's The Cenci: The Text and its Double
- Artaud's Revolution: Nowhere to Turn
- Trading Art(s): Artaud, Spies, and Current Indonesian/American Artistic Exchange and Collaboration
- Representation and De-realization: Artaud, Genet, and Sartre
- Comic Cruelty: Artaud and Jarry
- ‘The Catastrophes of Heaven’: Modernism, Primitivism, and the Madness of Antonin Artaud
- Linguistic Disenchantment and Architectural Solace in DeLillo and Artaud
- Kerouac, Artaud, and the Baroque Period of the Three Stooges
- Further Reading