Annie Ernaux Criticism
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Ernaux, Annie (Vol. 88)
- Introduction
- Principal Works
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Criticism
- A review of La Place and Une Femme
- Cleaned Out
- Class, Sexuality, and Subjectivity in Annie Ernaux's Les Armoires vides
- A Life Cut Short
- Upwardly Mobile Norman
- 'When Mother Became History'
- Divided by Language
- A Woman's Story
- A Woman's Story
- Leaving Father Behind
- A Man's Place
- Theory of Relativity
- A review of Passion simple
- Cleaned Out
- Simple Passion
- Who Can Explain It? Who Can Tell You Why?
- Eros Redux
- A Frozen Woman
- A Frozen Woman
- Further Reading
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Ernaux, Annie (Vol. 184)
- Introduction
- Principal Works
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Criticism
- Annie Ernaux: A Life Full of Irony and Outrage
- Snapshots from the Edge
- Annie Ernaux: Diaries of Provincial Life
- Review of Exteriors
- Ernaux's Testimony of Shame
- Review of La honte and “Je ne suis pas sortie de ma nuit,”
- Review of Shame
- Writing from Experience: The Place of the Personal in French Feminist Writing
- Abortion and Contamination of the Social Order in Annie Ernaux's Les armoires vides
- Fiction, Autobiography and Annie Ernaux's Evolving Project as a Writer: A Study of Ce qu'ils disent ou rien.
- The Dialogic Self: Language and Identity in Annie Ernaux
- Memory Stains: Annie Ernaux's Shame
- Ethnographers of the Self
- Review of “I Remain in Darkness,”
- Revisioning the ‘Matricidal’ Gaze: The Dynamics of the Mother-Daughter Relationship and Creative Expression in Annie Ernaux's ‘Je ne suis pas sortie de ma nuit’ and La honte.
- ‘We Are What We Eat’: Food, Identity and Class Difference in Annie Ernaux's Les armoires vides and La femme gelée
- Review of L'événement
- Women on Women and the Middle Man: Narrative Structures in Duras and Ernaux
- Annie Ernaux's Shameful Narration
- Writing the True History of Love
- Passion simple and Madame, c'est à vous que j'écris: ‘That's MY Desire.’
- Review of Se perdre
- La vie extérieure: 1993-1999
- Unsafe and Illegal
- Review of Happening
- Further Reading