Anne Carson 1950-
Canadian poet, essayist, novelist, librettist, and translator.
The following entry presents an overview of Carson's career through 2003.
Carson is regarded by many critics—particularly in her home country of Canada—as one of the greatest English-language poets to emerge in the late twentieth century. Her works are experiments in genre, blurring the lines between verse and prose, fiction and nonfiction. As a classics scholar, Carson draws on her knowledge of ancient history and mythology in much of her poetry, making frequent allusions to classical literature, music, art, and philosophy. Among Carson's most successful works are her book-length “verse novels,” Autobiography of Red (1998) and The Beauty of the Husband: A Fictional Essay in 29 Tangos (2001), and the poetry and prose collection Glass, Irony and God (1995). Carson has received numerous literary grants, awards, and fellowships for her poetry, including a Guggenheim fellowship, a MacArthur Foundation “genius” grant in 2000, and the 2001 T. S. Eliot Prize for The Beauty of the Husband.
Carson was born on June 21, 1950, in Toronto, Ontario, Canada. She studied Greek and Latin in high school, which contributed to her life-long fascination with classical literature. Enrolling at the University of Toronto, Carson earned a B.A. and later returned to obtain a M.A. and Ph.D. in classics, graduating in 1980. She also studied Greek metrics for a year at the University of St. Andrews in Scotland. In 1980 she began teaching classics at Princeton University, serving as a professor there until 1987. Carson has also taught classical languages and literature at Emory University, the California College of Arts and Crafts in Oakland, the Humanities Institute at the University of Michigan, and the University of California, Berkeley. While teaching as a visiting professor at the University of Michigan in the fall of 1999, Carson collaborated with her students to create the libretto for an installation-opera titled The Mirror of Simple Souls. In 2002 Carson became a professor of classics in the Department of History at McGill University in Montreal, Quebec. While best known for her poetry, Carson has also published a number of scholarly essays in the field of classics as well as translations of classical texts—such as Electra (2001) and If Not, Winter: Fragments of Sappho (2002). In addition to the MacArthur Grant and T. S. Eliot Prize, Carson has received several other awards for her work, including the Lannan Literary Award for poetry in 1996 and the QSPELL Poetry Award in 1998. She was also a finalist for the National Book Critics Circle Award for Autobiography of Red and a finalist for the Lenore Marshall Poetry Prize for The Beauty of the Husband.
Carson's works of verse and prose are characterized by several unique formal and stylistic qualities. Most notably, Carson blurs traditional categories of genre, constructing hybrids of the essay, the autobiography, the novel, the verse poem, and the prose poem. Carson's background as a classics scholar colors all of her writings, which feature frequent references to Greek mythology and such ancient poets, philosophers, and historians as Sappho, Plato, and Homer. She routinely renders elements of history and mythology in contemporary terms and modern settings, often conceptually closing the distance between the past and the present. Her verse places references to modern popular culture, such as film and television, side by side with references to ancient Greek culture. Her pastiche approach to genre, form, and subject matter, as well as the strong element of irony that pervades much of her work, have earned her the designation as a postmodern or post-structuralist writer, although the terms metaphysical, surrealist, and magical realist have also been applied to her work. Her book-length essay Eros the Bittersweet (1986) is derived from a line by the ancient poet Sappho. Carson's essay draws upon the...
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