device used many times in Poe's poem:
She was a child and I was a child... (7)
Literary devices dealing with sound are easily recognized when the poem is read aloud. Refer to the stanza below:
It was many and many a year ago,In a kingdom by the sea,That a maiden there lived whom you may knowBy the name of Annabel Lee;And this maiden she lived with no other thoughtThan to love and be loved by me. (1-6)
End rhyme is apparent in lines 2, 4 and 6 with the words "sea," "Lee" and "me." Internal rhyme is found in the sixth stanza; note the use of "beams" in the middle of the line that rhymes with "dreams" at the line's end:
For the moon never beams without bringing me dreams...
It occurs two lines later (using "rise" and "eyes") with:
And the stars never rise but I see the bright eyes
Assonance is found in line 5 with the words "this," "lived" and "with." (The short "i" sound is the same.) Alliteration (the repetition of a consonant sound at the beginning of a group of words) is found with the repetition of the words "many" (in line 1) and "loved" (in line 6).
In identifying figurative language, the reader first recognizes the use of imagery, used to create a picture in the reader's mind. Imagery is found, for example, in hyperbole.
Hyperbole is present in lines 11 and 12:
With a love that the winged seraphs of heavenCoveted her and me.
It can only be an exaggeration of the depth of their love to note that the angels covet it, for there is no way to know this for certain; however, the speaker is using hyperbole to show how deep and wonderful is the love the two share.
The reader sees it again in the lines:
The angels, not half so happy in heaven,Went envying her and me—
The lines above almost seem paradoxical in their exaggeration. It is impossible, based upon our definitions/perceptions of angels, to believe that angels would envy anything on earth when compared to their heavenly existence. This is more evident in trying to conceptualize that the angels would envy the love of humans—especially to the point that they would send a chilling wind to kill the young woman—an evil act.
First used in the late 16th Century, "Once upon a time" has become a phrase generally associated with a fairytale. Often this kind of story has mystical or magical elements (magic beans, a fairy godmother, etc.). After using this introductory phrase, Poe continues establishing this mood with words such as "kingdom" and "maiden," which are also associated with these kinds of tales. Poe may well use this introduction to create a mood of something supernatural, i.e., something beyond our natural world. However, unlike most fairytales shared with youngsters before bedtime, this story goes beyond magical and becomes haunting, with its sad ending at the loss of Annabel Lee.
If “Annabel Lee” has become one of Poe’s most popular poems, its popularity is probably attributable to its haunting rhythm, its lulling repetition.
The lilting movement of the poem is yet another element of the poem that gives the reader the sense of being in a fairytale. Except for the tragedy of the speaker's loss, this might well serve as a bedtime story that would bring about easy sleep for the listener, as Poe creates a haunting story, very much like a melody, using sound and imagery to capture the reader's imagination.
The sound of the poem, then, is quiet, rhythmic, hypnotic. It is this haunting sound, not the story itself, that causes most readers to remember “Annabel Lee.”
Of the sounds and images employed, perhaps the use of hyperbole is figurative language that most easily convinces the reader that poetic license has been used in this poem. The presence of envious angels and chilling winds that can be directed by one's will allow the reader to grasp that some elements of the tale may be magical or like a fairytale—perhaps more so, giving us the feeling that the love between the speaker and Annabel Lee was so amazing that the earth could not contain it, the angels could not bear it and no one on earth (even those "older than we" or "far wiser than we") could ever hope to experience anything like it.