Angela Carter Criticism
- Carter, Angela (Contemporary Literary Criticism)
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Carter, Angela (Twentieth-Century Literary Criticism)
- Introduction
- Principal Works
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Criticism
- An Interview with Angela Carter
- Panopticism in Nights at the Circus
- Angela Carter's Fetishism
- Fantasy and Carnivalization in Angela Carter's Nights at the Circus
- The Violence of Gendering: Castration Images in Angela Carter's The Magic Toyshop, The Passion of New Eve, and “Peter and the Wolf.”
- Taking an Axe to History: The Historical Lizzie Borden and the Postmodern Historiography of Angela Carter
- Tall Tales and Brief Lives: Angela Carter's Nights at the Circus
- Angela Carter and the Literary Märchen: A Review Essay
- Crossing Boundaries with Wise Girls: Angela Carter's Fairy Tales for Children
- Desire and the Female Grotesque in Angela Carter's ‘Peter and the Wolf’
- Andrew Borden's Little Girl: Fairy-Tale Fragments in Angela Carter's ‘The Fall River Axe Murders’ and ‘Lizzie's Tiger.’
- Farewell to the Femme Fatale: Angela Carter's Rewriting of Frank Wedekind's Lulu Plays
- Pain and Exclusion: The Magic Toyshop (1967) and Heroes and Villains (1969)
- The Pressure of New Wine: Performative Reading in Angela Carter's The Sadeian Woman
- Supernatural Interactions, Eastern Ghosts, and Postmodern Narrative: Angela Carter's Fireworks
- The Consumption of Angela Carter: Women, Food, and Power
- Angela Carter's Animal Tales: Constructing the Non-Human
- To Pose or Not to Pose: The Interplay of Object and Subject in the Works of Angela Carter
- Further Reading