Anancy’s Score is a collection of twenty short stories that feature the adventures of Anancy, a spider person. In the “Author’s Note,” Salkey acknowledges that his Anancy is an amalgamation of the Anansi of West African and Caribbean folklore and his own imagination. True to his folkloric forebears, Anancy, in Salkey’s words,holds no reservations; makes only certain crucial allowances; he knows no boundaries; respects no one, not even himself, at times; and he makes a mockery of everybody’s assumptions and value judgements.
Using the generic conventions of the fable, Salkey reconstructs Anancy’s stories by employing an omniscient, third-person narrator who is identified as Brother Oversea in one tale. The identity of the narrator is unclear in the other stories. The stories are told chronologically, emulating the oral telling and retelling of tales in the folkloric tradition. In the first story, “How Anancy Became a Spider Individual Person,” Anancy’s story becomes a fusion of Caribbean folklore, Judeo-Christian tradition, and postmodern cynicism. Diverging from the pedestrian “In the beginning” motif, the narrator opts to begin this creation myth with a bitter political commentary:Once, when neither mushrooms on the ground nor mushrooms up in the air were killing off people, when trees were honestly trees, when things used to happen as if they hadn’t any good reason not to happen . . . all the animals and trees and everything had a magical, straightback dignity of bearing, as if they were special, free creatures and things on the lan’.
Within this land, called “The Beginning,” Brother Anancy and his wife reside harmoniously with all the other creatures. Anancy is content to live idly in The Beginning, spending his days drinking water-coconut and eating bananas, much to the chagrin of his clever, ambitious wife. One day, while Anancy philosophizes with his friends, Brother Dog and Brother Tiger, Anancy’s wife approaches the “serious...
(The entire section is 819 words.)