In The American Notebooks Nathaniel Hawthorne reviews such topics as isolation, sin, the degeneration of families, and the subjugation of one person to another, common themes in his work. Hawthorne was one of the originators of the American short-story form, and he was a leading novelist of nineteenth century American letters. He began the observations, story ideas, and character sketches that make up The American Notebooks in 1835, when he was an unknown college graduate living in isolation in Salem, Massachusetts. The last entry of the notebooks is that of June, 1853, by which time Hawthorne had traveled in the northeastern United States and had married and had children. By then Hawthorne had also published his most successful works. The American Notebooks shows Hawthorne’s development as a writer; as such, it is an invaluable contribution to an understanding of his literary development. Some of the collection’s entries contain ideas that are important in his most famous fictional works.
The American Notebooks follows chronological order, tracing Hawthorne’s development over a period of eighteen years. The individual entries, however, are quite random in their makeup and contain adages, animal folklore, and biblical references that captivated Hawthorne. Observations of people whom he saw in the streets of nineteenth century Salem, Boston, and North Adams, Massachusetts, are mixed with flights of fancy that occurred to Hawthorne as he labored at his writing. Quotations from early eighteenth century newspapers and church books chronicle Hawthorne’s lifelong interest in New England history. In this sense, the notebooks provide not only a glimpse of Hawthorne’s close observation as a writer but also a picture of New England in the early-to-mid-nineteenth century.
The production of his novels, essays, and tales took up much of the winter months in Hawthorne’s adult life; the notebook entries were made mainly during the summer months as he traveled to and from Boston, out to western Massachusetts, and through the towns of Maine. The freer time of summer may account for the relatively unfocused form of the notebooks; however, the unfocused form shows the creative imagination of Hawthorne at work.
When he began The American Notebooks, Hawthorne was a recent graduate of Bowdoin College. He confounded his family by returning to the family home in Salem to use his time to read and practice the craft of writing. These early entries show Hawthorne at work on descriptions of long nature walks; these entries reflect his sadness, preoccupations, and fantasies. A particular entry notes an idea for a story—never to be produced—of “the fantasy of a man taking his life by instalments, instead of at one payment,—say the years of life alternately with ten years of suspended animation.” This was an odd but fitting idea for an artist who would later write novels that fused the fantastic with the mundane and the real. The early entries also hint at the major themes that Hawthorne would actively explore for all of his writing life. He records entries on decaying, degenerate families, and he makes notes on the evil in every human heart. He also plants the seeds for future fiction on the diseases of the soul.
By July, 1837, however, the notebooks begin to tell a different story. Hawthorne went on an extended summer visit to Horatio Bridge, a Bowdoin College classmate who lived in bachelor’s quarters in Augusta, Maine. In these early entries, Hawthorne records his walks through the streets of Augusta and his visits to the Irish and Nova Scotian shantytowns with his friend Bridge. Hawthorne makes detailed observations of the houses with sod roofs and an Irishwoman washing her clothes in a river. Hawthorne was still an unknown author with one book, Twice-Told Tales (1837), to his credit when he wrote the long descriptive passages of fishing for sturgeon, drinking brandy and rum in a dimly lit store, and riding to Augusta past mowers pausing along...
(The entire section is 1,991 words.)