The sheer multitude of characters serves to emphasize the novel’s focus on the interplay between characters and events. The short sections of the novel move from character to character. Sometimes the point of view changes even within the short sections. Nearly all these characters are developed fully, and they make up a wide array of bizarre, sometimes perverse individuals. The characters are clustered, and each cluster is eventually tied to other clusters of characters; this movement unravels the narrative in the novel, emphasizing each event’s and person’s interplay in the novel’s nonstop motion.
Though no character dominates the novel, Sterling emerges as its conscience. Sterling, appearing near the beginning and at the end of the book, is unique among the characters in that he enters Tucson by accident, wandering into town with no real purpose, and then leaves it behind, taking only the awareness he has gained. His eventual gain of understanding for the endurance of the Earth and the importance of tribal spirits is the very heart of the novel. At the beginning, Sterling is immersed in the white system, and his self-delusion is rooted in his European thinking, symbolized by his obsession with crime magazines. Sterling’s fascination with the white image of “Geronimo” (his favorite “criminal”) illustrates his inability to understand reality in a tribal sense. Silko educates the reader about Geronimo’s “true” existence, as Sterling should have been educated, through the oral stories of an...
(The entire section is 624 words.)