West Coast Rhythms
The most remarkable poem of the young [Bay Region group,] written during the past year, is "Howl," by Allen Ginsberg…. [After] years of apprenticeship to usual forms, he developed his brave new medium. This poem has created a furor of praise or abuse whenever read or heard. It is a powerful work, cutting through to dynamic meaning. Ginsberg thinks he is going forward by going back to the methods of Whitman.
My first reaction was that it is based on destructive violence. It is profoundly Jewish in temper. It is biblical in its repetitive grammatical build-up. It is a howl against everything in our mechanistic civilization which kills the spirit, assuming that the louder you shout the more likely you are to be heard. It lays bare the nerves of suffering and spiritual struggle. Its positive force and energy come from a redemptive quality of love, although it destructively catalogs evils of our time, from physical deprivation to madness.
In other poems, Ginsberg shows a crucial sense of humor. It shows up principally in his poem "America," which has lines "Asia is rising against me. / I haven't got a Chinaman's chance." Humor is also present in "Supermarket in California." His "Sunflower Sutra" is a lyric poem marked by pathos. (pp. 145-46)
Richard Eberhart, "West Coast Rhythms," in The New York Times Book Review (© 1956 by the New York Times Company; reprinted by permission), September 2, 1956 (and reprinted in his Of Poetry and Poets, University of Illinois Press, 1979, pp. 144-47).
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