Alice's Adventures in Wonderland Summary

Alice's Adventures in Wonderland details the marvelously imaginative adventures of Alice, a girl who dreams of Wonderland while sleeping under a tree. After following the White Rabbit down a hole, she meets a host of strange characters, including the Mad Hatter, the Cheshire Cat, and a tyrannical ruler named the Queen of Hearts.

  • While reading with her sister Delilah, Alice sees the White Rabbit run into a rabbit hole. She follows him into Wonderland, where she meets the Cheshire Cat, who can appear and disappear at will.

  • On the advice of the Cheshire Cat, she attends a tea party at the Mad Hatter's house. After the Mad Hatter tries to cut her hair, she runs away and finds herself in a garden.

  • After a strange croquet match, Alice is called on to testify against a tart thief in court. She becomes so flustered that she angers the Queen of Hearts, who orders that her head be cut off. Alice then awakes to discover this was all a dream.


(Critical Survey of Literature for Students)
Alice's Adventures in Wonderland cover image

Alice is quietly reading over her sister’s shoulder when she sees a White Rabbit dash across the lawn and disappear into its hole. She jumps up to rush after him and finds herself falling down the rabbit hole. At the bottom, she sees the White Rabbit hurrying along a corridor ahead of her and murmuring that he will be late. He disappears around a corner, leaving Alice standing in front of several locked doors.

On a glass table, she finds a tiny golden key that unlocks a little door hidden behind a curtain. The door opens upon a lovely miniature garden, but Alice cannot get through the doorway because it is too small. She sadly replaces the key on the table. A little bottle mysteriously appears. Alice drinks the contents and immediately begins to grow smaller, so much so that she can no longer reach the key on the table. Next, she eats a piece of cake she finds nearby, and soon she begins to grow to such an enormous size that she can only squint through the door. In despair, she begins to weep tears as big as raindrops. As she sits crying, the White Rabbit appears, moaning that the Duchess will be angry if he keeps her waiting. He drops his fan and gloves, and when Alice picks them up, she begins to grow smaller. Again she rushes to the garden door, but she finds it shut and the golden key once more on the table out of reach.

Then she falls into a pool of her own tears. Splashing along, she encounters a mouse who stumbled into the pool. Alice tactlessly begins a conversation about her cat Dinah, and the mouse becomes speechless with terror. Soon the pool of tears is filled with living creatures—birds and animals of all kinds. An old Dodo suggests that they run a Caucus Race to get dry. Asking what a Caucus Race is, Alice is told that the best way to explain it is to do it, whereupon the animals run themselves quite breathless and finally become dry. Afterward, the mouse tells a “Tail” to match its own appendage. Alice is asked to tell something, but the only thing she can think of is her cat Dinah. Frightened, the other creatures go away, and Alice is left alone.

The White Rabbit appears once more, this time hunting for his gloves and fan. Catching sight of Alice, he sends her to his home to get him a fresh pair of gloves and another fan. In the Rabbit’s house, she finds the fan and gloves and also takes a drink from a bottle. Instantly, she grows to be a giant size and is forced to put her leg up the chimney and her elbow out the window to keep from being squeezed to death.

She manages to eat a little cake and shrink herself again. As soon as she is small enough to get through the door, she runs into a nearby wood where she finds a caterpillar sitting on a mushroom. The caterpillar is very rude to Alice, and he scornfully asks her to prove her worth by reciting “You Are Old, Father William.” Alice does so, but the words sound very strange. Disgusted, he leaves her, after giving her some valuable information about increasing or decreasing her size. She breaks off pieces of the mushroom and finds to her delight that she can become taller by eating from the piece in her left hand, shorter by eating from the piece in her right hand.

She comes to a little house among the trees. There a footman, who looks very much like a fish, presents to another footman, who closely resembles a frog, an invitation for the Duchess to play croquet with the Queen. The two amphibians bow to each other with great formality, tangling their wigs together. Alice opens the door and finds herself in the chaotic house of the Duchess. The cook is stirring a large pot of soup and pouring plenty of pepper into the mixture. Everyone is sneezing except the cook and a Cheshire cat, which sits on the hearth grinning. The Duchess holds a sneezing, squalling baby and sings a blaring lullaby to it. Alice, in sympathy with the poor child, picks it up and carries it out into the fresh air, whereupon the baby gradually turns into a pig, squirms out of her arms, and trots into the forest.

Standing in bewilderment, Alice sees the grinning Cheshire cat sitting in a tree. He is able to appear and disappear at will, and after exercising his talents, he advises Alice to go to a tea party given by the Mad Hatter. The cat vanishes, all but the grin. When that, too, finally disappears, Alice leaves for the party.

There, Alice has to deal with the strangest people she has ever seen—a March Hare, a Mad Hatter, and a sleepy Dormouse. All are too lazy to set the table afresh, and dirty dishes from preceding meals lie next to clean ones. The Dormouse falls asleep in its teacup, the Mad Hatter tells Alice her hair needs cutting, and the March Hare offers her wine and then tells her there is none. They ask her foolish riddles that have no answers, and then they ignore her completely and carry on a ridiculous conversation among themselves. She escapes after the Dormouse falls asleep in the middle of a story he is telling.

Next, she finds herself in a garden of rose trees. Some gardeners appear with paintbrushes and begin to splash red paint on a white rose. Alice learns that the Queen ordered a red rose to be planted in that spot, and the gardeners are busily and fearfully trying to cover their error before the Queen arrives. The poor gardeners, however, are not swift enough. The Queen catches them in the act, and the wretched gardeners are led off to be decapitated. Alice saves them by shoving them down into a large flower pot, out of sight of the Queen.

A croquet game begins. The mallets are live flamingos, and the balls are hedgehogs which think nothing of uncurling themselves and running rapidly over the field. The Duchess corners Alice and leads her away to the seaside to introduce her to the Mock Turtle and the Gryphon. While engaged in a Lobster Quadrille, they hear the news of a trial. A thief stole some tarts. Rushing to the courtroom where a trial by jury is already in session, Alice is called upon to act as a witness before the King and Queen of Hearts, but the excited child upsets the jury box and spills out all of its occupants. After replacing all the animals in the box, Alice says she knows nothing of the matter. Her speech infuriates the Queen, who orders that Alice’s head be cut off. The whole court rushes at her, and Alice defiantly calls them nothing but a pack of cards. She awakens from her dream as her sister brushes away some dead leaves blowing over Alice’s face.

Alice's Adventures in Wonderland Summary

(Critical Guide to Censorship and Literature)

Certain critics—including psychoanalyst Paul Schilder and author Katherine Anne Porter—have argued that Alice’s Adventures in Wonderland should be kept away from children because it is riddled with material that causes anxiety. For example, Schilder has cited the book’s frequent references to devouring small animals as evidence of the work’s “preponderant oral sadistic trends.”

The government of China banned the book in 1931, charging that its talking animals were offensive because their use of language placed them inappropriately on the same level with humans. In 1966, after the book was read over the radio in Britain, the British Broadcasting Corporation was inundated by phone calls from listeners outraged over the book’s description of using hedgehogs as croquet balls.

The Disney Company released an animated film adaptation of Alice in Wonderland in 1951. Although this film was somewhat sanitized, it later merited a warning to parents in psychologist Harold Schecter’s 1986 guide to children’s video for its threats of violence and its scenes of baby oysters being eaten. Meanwhile, Disney withdrew the film from 16 mm rental distribution during the late 1960’s, although it had won some fans on the college circuit. At that time the company’s animated feature Fantasia (1940) was drawing fire because of its association with the drug culture, so Disney may have acted to protect its wholesome image.

Alice's Adventures in Wonderland Summary

(Masterpieces of World Literature, Critical Edition)

Although Carroll wrote Alice’s Adventures in Wonderland explicitly to entertain children, it has become a treasure to philosophers, literary critics, biographers, clergy, psychoanalysts, and linguists, not to mention mathematicians, theologians, and logicians. There appears to be something in this work for everyone, and there are almost as many interpretations of it as there are commentators.

Alice’s dream becomes her nightmare. A novelty at first, Wonderland becomes increasingly oppressive to Alice as she is faced with its fundamental disorder. Everything there, including her own body size, is in a state of flux. She is treated rudely, is bullied, is asked questions with no answers, and is denied answers to asked questions. Her recitations of poems turn into parodies, a baby turns into a pig, and a cat turns into a grin. The essence of time and space is called into question, and her romantic notion of an idyllic garden of life becomes a paper wasteland. Whether Alice, as some critics argue, is an alien who invades and contaminates Wonderland or is an innocent contaminated by it, one important fact remains the same: She has a vision that shows the world to be chaotic, meaningless, and a terrifying void. In order to escape that oppressive and disorienting vision, she denies it with her outcry that “You’re nothing but a pack of cards!” and happily regains the morally intelligible and emotionally comfortable world of her sister, who sits next to her on the green banks of a civilized Victorian countryside.

The assaults upon Alice’s sense of order, stability, and proper manners wrought by such characters as the Hatter, Cheshire Cat, and March Hare make it clear that Wonderland is not the promised land, a place of sleepy fulfillment. Rather, Wonderland stimulates the senses and the mind. It is a monde fatale, so to speak, one that seduces Alice into seeking new sights, new conversations, new ideas, but it never satisfies her. Conventional meaning, understanding, and the fulfillment that comes with illumination are constantly denied her. That is the secret of Wonderland: Its disorienting and compelling attractions make it a “Wanderland” and Alice herself an addicted wanderer, free of the intellectual and moral burden of ordering her experiences into some meaningful whole. She is never bored because she is never satisfied.

Significantly, she is presented with a stimulating, alluring vision early in her adventures. Alice finds a tiny golden key that opens a door that leads into a small passage. As she kneels down and looks along the passage, she sees a beautiful garden with bright flowers and cool fountains. She is too large, however, to fit through the door in order to enter the attractive garden. Alice’s dream garden corresponds to a longing for lost innocence, for the Garden of Eden. Her desire invests the place with imagined significance. Later, when she actually enters the garden, it loses its romantic aspect. In fact, it proves to be a parodic Garden of Life, for the roses are painted, the people are playing cards, and the death-cry “Off with her head!” echoes throughout the croquet grounds.

Alice’s dream garden is an excellent example of Carroll’s paradoxical duality. Like Alice, he is possessed by a romantic vision of an Edenic childhood more desirable than his own fallen world, but it is a vision that he knows is inevitably corrupted by adult sin and sexuality. He thus allows Alice’s dream of the garden to fill her with hope and joy for a time but later tramples that pastoral vision with the hatred and fury of the beheading Queen and the artificiality of the flowers and inhabitants.

Alice's Adventures in Wonderland Overview

Alice's Adventures in Wonderland is a masterpiece of children's literature and a major contribution to "nonsense" writing, which uses...

(The entire section is 208 words.)

Alice's Adventures in Wonderland Summary

Alice's Adventures in Wonderland Chapters 1-3: Down the Rabbit Hole

After a short verse prologue, in which he commemorates the day on which he first told his tale, Lewis Carroll begins Alice's Adventures in...

(The entire section is 406 words.)

Alice's Adventures in Wonderland Chapters 4-7: Learning the Ropes in Wonderland

The White Rabbit then appears again, and mistaking Alice for his servant, orders her to go fetch him another fan and pair of gloves. Alice...

(The entire section is 468 words.)

Alice's Adventures in Wonderland Chapters 8-10: Alice in the Garden

Alice first encounters a curious spectacle: some playing cards are painting some white roses red. They are doing so, she learns, because red...

(The entire section is 206 words.)

Alice's Adventures in Wonderland Chapters 11-12: The Trial and the Return

When they arrive at the courtroom, the trial of the Knave (i.e., Jack) of Hearts, accused of having stolen some tarts made by the Queen, is...

(The entire section is 190 words.)