Alice Munro Biography

Alice Munro Biography

Alice Munro is the voice of small-town Canada. While many authors from the United States portray small-town life through the lens of nostalgia and Americana, Munro’s Canadian depictions are decidedly leaner. One of the many aspects of her writing that has earned critical praise is her ability to create intensely moving characters and stories using simple, straightforward language. Hers is a writing style that focuses not on plot and incident, but character, place, and time. Her stories offer glimpses into the lives of everyday people, and she eschews high-octane melodrama and sentimentality. Nevertheless, Munro’s work continues to captivate readers because of its rich, emotional detail and honest reflections of real life.

Facts and Trivia

  • Writer Cynthia Ozick once described Munro as "our Chekov."
  • Munro’s daughter, Sheila, is also a writer. She published a memoir documenting her childhood and relationship with Alice. The result was Lives of Mothers and Daughters: Growing Up With Alice Munro.
  • Munro has won the Governor General’s Award, an extremely prestigious Canadian literary honor five times.
  • In 2007, Munro’s short story “The Bear Came Over the Mountain” was adapted by actress/writer/director Sarah Polley into the critically acclaimed film Away From Her.
  • Alice Munro won the Nobel Prize in Literature in 2013 at the age of 82, the first Canadian to do so.

Biography

(Masterpieces of American Literature)

ph_0111226277-Munro.jpg Alice Munro Published by Salem Press, Inc.

Alice Munro was born Alice Ann Laidlaw, the eldest of three children of Robert Laidlaw and Anne Chamney, on July 10, 1931. The family lived in a nineteenth century brick farmhouse at the edge of Wingham, Ontario, the small town usually disguised in her fiction as Walley, Jubilee, or Hanratty. Munro’s father, a descendant of Scottish pioneers, raised silver foxes and, later, mink. For the first two grades, Munro attended the rough Lowertown School modeled in “Privilege” (1978), where she was the only child in her class to pass first grade. At her mother’s insistence, she was transferred to the Wingham public schools where, living in imagination and books, she felt even more isolated. She worked on an unfinished gothic novel during high school, influenced by Emily Brontë’s Wuthering Heights (1847).

After World War II the popular demand for furs lessened, and eventually the fox farm failed; times were so hard that the Laidlaws had to burn sawdust for heat. In 1947 Robert Laidlaw took a job as night watchman at the local iron foundry, raising turkeys as a sideline. Anne Laidlaw, an elementary teacher of Irish descent, had been forced to abandon her career because married women were not allowed to teach. In her mid-forties she developed a devastating form of Parkinson’s disease contracted from the encephalitis virus. Munro had to do all the housework from the time she was twelve and as a teenager worked as a maid for a Toronto family. Her feelings toward her mother were intensely ambivalent, and there were frequent clashes.

Winning a two-year scholarship enabled Munro to attend the University of Western Ontario, where in 1949 she entered the journalism program, switching to English in her second year. At her boardinghouse she received a full breakfast but had a meager food allowance of thirty-five cents for the rest of the day. She held two library jobs and sold her blood for extra income. In the spring of 1950, she published her first story, “The Dimensions of a Shadow,” in Folio, the campus literary magazine. By then she was engaged to James Munro, a fellow student. When her scholarship expired in 1951, she was forced to leave school, returning home to care for her temporarily bedridden mother. She and James were married at her parents’ home in Wingham just after Christmas.

Munro’s eldest daughter, Sheila, has noted that her parents’ marriage paralleled in many respects the mismatched backgrounds of Patrick and Rose in Munro’s story “The Beggar Maid” (1977). While Munro’s circumstances were modest, James’s father was a well-to-do accountant for the Toronto branch of Eaton’s department...

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Biography

(Masterpieces of American Literature)

One of the most impressive things about Munro’s fiction is that she is able to write about ordinary people and their problems with “an art that works to conceal itself.” Breaking nearly every rule of the traditional short story, she has transformed the genre. Her talent is widely respected, and her contemporaries praise her. Cynthia Ozick has compared her to a classic Russian author (“She is our Chekhov”), while Mona Simpson and Jonathan Franzen, among others, have suggested that Munro is worthy of a Nobel Prize. Munro has broken ground for subsequent generations of women writers by increasing an awareness of the whole of female experience, with clear vision, insight, and compassion.

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Biography

(Literary Essentials: Short Fiction Masterpieces)

Alice Munro was born July 10, 1931, in Wingham, Ontario, Canada, where her father raised silver foxes. A scholarship covering the years 1949-1951 to the University of Western Ontario led to her bachelor’s degree in 1952. Her marriage to bookstore owner James Munro produced three daughters. After a 1976 divorce, Munro married geographer Gerald Fremlin; they established homes in Clinton, Ontario, and Comox, British Columbia.

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Biography

(Society and Self, Critical Representations in Literature)

Alice Munro grew up in a small rural community in western Ontario. Her father spent most of his life raising fox for the commercial fur market, which resulted in a life of poverty or abundance, depending on the changing conditions of the foxes and the market. Her childhood was filled with struggling to belong to her peer group and always excelling at academics. Her intelligence won for her scholarships to high school and college, and poverty made her drop out of college after her second year. Fear of poverty enticed her to marry Jim Munro when she was twenty.

Munro spent her entire childhood believing that she could and would write a great novel. She began writing poetry at age twelve and always kept her work hidden...

(The entire section is 251 words.)