Alfred Jarry

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Introduction

(Short Story Criticism)

Jarry, Alfred 1873-1907

French dramatist, author of stories and short novels, essayist, critic, and poet.

Best known for his experimental dramas, especially Ubu Roi, Jarry also wrote short novels that abandoned realism and traditional literary approaches, thereby precipitating modernist trends in the early twentieth century. In much of his fiction Jarry employed perverse and biting humor, fantastic scenarios, grotesque characters, and nonlinear narratives, exalting the imagination and human potential while satirizing bourgeois mentality, technological progress, and religion. The autobiographical and historical works among his short novels are more subtle but still convey his eccentric view of life and his condemnation of society's system of values.

Biographical Information

Jarry was born in Laval, Mayenne, near Brittany. His father was a traveling salesman for a wool factory, and his mother was the daughter of a Brittany judge. Jarry, a brilliant student though an unregenerate troublemaker, attended the Lycée at Rennes from 1888 to 1891. At school he excelled in the sciences as well as Greek and Latin, and works such as Gestes et opinions du Dr. Faustroll, pataphysicien (Exploits and Opinions of Dr. Faustroll, Pataphysician) reflect the diligence with which he kept himself informed of the latest scientific developments throughout his lifetime. In 1891, Jarry went to Paris to attend the Lycée Henri IV and to prepare for the difficult entrance exams for the Ecole Normale. While there, he studied theories of comedy and laughter with Henri Bergson and, in 1893, met Marcel Schwob, a prominent Symbolist writer and the editor of L'écho de Paris. Schwob introduced Jarry into Parisian literary circles, and Jarry's bizarre attire and studied eccentricities brought him instant notoriety in the cafés and salons of Paris. A man who was known to keep owls and chameleons, he would appear in public wearing a long black cape, a cyclist's uniform, or perhaps a paper shirt with a tie painted on, and carrying a loaded revolver that he would occasionally fire for dramatic effect; he also began to affect the mannerisms of Ubu, the protagonist in Ubu Roi, speaking in a monotone drone and walking in a jerky, robot-like fashion. Furthermore, he abandoned himself to the use of alcohol, drinking ether when he could not afford absinthe.

Jarry's poetry and prose began appearing in L'écho de Paris in 1903, and he was awarded both of that paper's literary prizes for the best work by a young author. Thus encouraged, Jarry abandoned his plan of attending the École Normale in favor of a career in letters. He began collaborating with Rémy de Gourmont on the production of an art review entitled L'ymagier, which was devoted to the presentation of popular and religious woodcuts. After quarreling with Gourmont, he continued on his own with a review of the same nature entitled Perhinderion. This elaborate publication exhausted the modest inheritance Jarry had received upon the death of his parents, and...

(The entire section is 38,726 words.)