Alejo Carpentier

Alejo Carpentier Criticism

• Carpentier, Alejo (Vol. 8)
• Carpentier, Alejo (Vol. 11)
  • Introduction
  • The Use of Music in Literature: 'El Acoso' by Alejo Carpentier and 'Symphony No. 3 (Eroica)' by Beethoven
  • Alexander Coleman
  • Dictators and Other Mortals
  • Despot-au-feu
  • The Lost Books
  • Michael Wood
  • Alejo Carpentier: The Pilgrim at Home
• Carpentier, Alejo (Vol. 110)
  • Introduction
  • Principal Works
  • Criticism
    • El Acoso: Alejo Carpentier's War on Time
    • Juan and Sisyphus in Carpentier's 'El Camino de Santiago'
    • Talking to Carpentier
    • Concientización: Keystone to the Novels of Alejo Carpentier
    • The Great Theatre of the World: Alejo Carpentier and Los Pasos Perdidos
    • A Night at the Opera: Concierto barroco and Motezuma
    • Some Examples of Irony in Carpentier's Earlier Fiction
    • Patterns of Repetition in The Kingdom of This World
    • Carpentier's Los pasos perdidos: Heart of Lightness, Heart of Darkness
    • Identity and Authenticity in Alejo Carpentier's Reasons of State
    • Gender Monologue in Carpentier's Los pasos perdidos
  • Further Reading
• Carpentier, Alejo
  • Introduction
  • Principal Works
  • Criticism
    • The 'Everyman' Theme in Carpentier's El Camino del Santiago
    • Juan and Sisyphus in Carpentier's 'El camino de Santiago'
    • Pilgrims, Plunderers
    • The Use of Music in Literature: 'El Acoso' by Alejo Carpentier and Symphony No. 3 (Eroica) by Beethoven
    • The Redeeming Quest: Patterns of Unification in Carpentier, Fuentes, and Cortázar
    • The Image of Art in Carpentier's Los pasos perdidos and El acoso
    • Indetermination in Alejo Carpentier's El derecho de asilo
    • A Return to Africa with a Carpentier Tale
    • Literature and Exile: Carpentier's 'Right of Sanctuary'
    • At the Keyboard
    • Music as a Structural Component in Alejo Carpentier's Concierto Barroco and The Lost Steps
  • Further Reading