[Gemini is a] witty and exuberant new play…. It is a world of opposites, a melting pot of differing sensibilities energized by a series of perpetual inversions and transformations.

Appropriately enough, the play is titled after the third sign of the Zodiac, and significantly, in keeping with the twin symbolism of that sign, continually seizes on the nature of dualistic phenomena evidenced in human behavior. Gemini is built on a well-defined pattern that synthesizes opposing polarities. Homosexual and heterosexual longings are counterpoised with one another, while the slim and beautiful is contrasted with the overweight and grotesque. On a more important level, and one that is sensitively handled, there are the opposing forces of life and death, paradiso and inferno, the generational conflict, and the morphological changes in every human experience….

Innaurato groups [his] strikingly eloquent characters in a variety of situations, hilarious in the tradition of many of the old situational comedies one finds on TV reruns. There are moments, luckily very brief, when the playwright refuses to let go of a joke and uses it past its comic purpose, but the willful use of lines and situations repeated twice throughout the play is a structurally relevant device that underscores the twin element of the Zodiac sign….

An exhilarating evening in the theater, Gemini is intelligent, subversive in a humane sense, and ultimately, a sympathetic portrait of life.