Akira Kurosawa Criticism
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Kurosawa, Akira (Vol. 119)
- Introduction
- Principal Works
- Obituaries
- Making Films for All the People
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Criticism
- The Films of Kurosawa
- Kurosawa's Humanism
- The Films and Faces of Akira Kurosawa
- Light and Darkness in Rashomon
- Kurosawa's Eastern 'Western': Sanjuro and the Influence of Shane
- Kurosawa's Throne of Blood: Washizu and Miki Meet the Forest Spirit
- The Circumstance of the East, The Fate of the West: Notes, Mostly on The Seven Samurai
- Rashomon: From Akutagawa to Kurosawa
- The Double and the Theme of Selflessness in Kagemusha
- Memory and Nostalgia in Kurosawa's Dream World
- The Spirit of Compassion: Kurosawa's Rhapsody in August
- Are You Trying to Make Me Commit Suicide? Gender, Identity, and Spatial Arrangement in Kurosawa's Ran
- Nature and Society in Akira Kurosawa's Throne of Blood
- From the Baroque to Wabi: Translating Animal Imagery from Shakespeare's King Lear to Kurosawa's Ran
- Kurosawa's Madadayo a Fully Alive Story
- Further Reading
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Kurosawa, Akira (Vol. 16)
- Introduction
- Reviews: 'Rashomon'
- Reviews: 'Rashomon'
- Film Reviews: 'The Seven Samurai'
- Modesty and Pretension in Two New Films
- Reviews: 'Throne of Blood'
- The Japanese Film: Art and Industry
- 'The Hidden Fortress': Kurasawa's Comic Mode
- Kurosawa and His Work
- The Films of Akira Kurosawa
- The Epic Cinema of Kurosawa
- Film Fete: Lives in a Junk Yard in Kurosawa's 'Dodes'ka-den
- Feature Films: 'Hakuchi' ('The Idiot')
- Exquisite Comedy and the Dimensions of Heroism: Akira Kurosawa's 'Yojimbo'
- Cannes: A Last Hurrah