The single most cohesive feature in the novel is Huck's engaging narration. Because the reader often knows more than Huck does, his naive narration lends irony to the work. As an artist, Twain was most conscious of language, providing not only for the richness of Huck's speech but for the variety of dialects represented.

The Adventures of Huckleberry Finn delivers its powerful message through Huck's narration. His rich language and humor remain fresh. Huck's journey down the river has become part of American mythology, and the issues of freedom and responsibility he confronts still concern American culture. Readable, entertaining, and significant, this novel deserves its status as a classic.

A sequel to The Adventures of Tom Sawyer (1876), The Adventures of Huckleberry Finn takes place in the 1830s or 1840s. It begins in St. Petersburg, a fictional town much like Twain's hometown of Hannibal, but its main action occurs on the Mississippi River. After Huck meets Jim on Jackson's Island, the two travel down river on a raft that comes to symbolize their brotherhood and freedom. Hoping to drift to Cairo, Illinois, where Jim can escape to freedom, they are diverted by a fog and travel southward to Arkansas instead. The trip ties together a series of adventures which, as many commentators have remarked, contrast the peace and freedom of the raft with the violence, corruption, and constraint of the shore. Although it begins with the warning, "Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot will be shot," The Adventures of Huckleberry Finn contains these three elements. Major themes — freedom and responsibility, truth and falsehood, death and rebirth, and identity — support the action and provide structure. But the novel's ending has drawn extensive criticism. Critics argue that Tom Sawyer's coincidental appearance and his elaborate plan to rescue Jim make the ending highly improbable. Arguably, Huck's cooperation with Tom negates the moral development he has experienced and reduces Jim to the figure of fun he was at the book's outset. Some defenders of Twain's ending suggest that it provides a circle, bringing the boy back to where he began, and others interpret the failure of Tom's plan as the destruction of the illusion of chivalry.

Although it begins with the warning, "Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot will be shot," Huckleberry Finn contains these three elements. Major themes—freedom and responsibility, truth and falsehood, death and rebirth, and identity—support the action and provide structure. But the novel's ending has drawn extensive criticism. Critics argue that Tom Sawyer's coincidental appearance and his elaborate plan to rescue Jim make the ending highly improbable. Arguably, Huck's cooperation with Tom negates the moral development he has experienced and reduces Jim to the figure of fun he was at the books outset. Some defenders of Twain's ending suggest that it provides a circle, bringing the boy back to where he began, and others interpret the failure of Tom's plan as the destruction of the illusion of chivalry.

The book's loose structure may be classified as a picaresque narrative because its unity derives from following a central character through a series of episodes. Like Cervantes's Don Quixote (1605), Huckleberry Finn treats questions of illusion and reality by portraying Huck's contact with a number of levels of society. In addition, the novel's unity might be defined by Huck's education or initiation, his maturation through experience and insight.

The single most cohesive feature in the novel is Huck's engaging narration. Because the reader often knows more than Huck does, his naive narration lends irony to the work. As an artist, Twain was most conscious of language, providing not only for the richness of Huck's speech but for the variety of dialects represented.

The book's loose structure may be classified as a picaresque narrative because its unity derives from following a central character through a series of episodes. Like Cervantes's Don Quixote (1605), The Adventures of Huckleberry Finn treats questions of illusion and reality by portraying Huck's contact with a number of levels of society. In addition, the novel's unity might be defined by Huck's education or initiation, his maturation through experience and insight.

*Mississippi River

*Mississippi River. The novel’s primary backdrop, the Lower Mississippi is the motive force that drives both the raft and the narrative. Most of the novel’s action actually takes place ashore, but no character ever strays far inland, and the river’s presence always looms. Rich in symbolism, the river washes away sin (such as bawdy houses and murderers), bestows wealth (including bountiful fish and valuable flotsam), and wreaks destruction (destroying both steamboats and towns), all the while inexorably carrying everything upon it ever deeper into the South and its harsh plantation slavery—exactly where Huck and Jim do not want to go. They allow the river to carry them south because they lack the means to navigate upriver and because forces beyond their control repeatedly prevent them from obtaining such means.

Twain was intimately acquainted with the river. He spent his childhood on its banks and as a young man piloted steamboats between St. Louis and New Orleans. Adventures of Huckleberry Finn does a masterful job of conveying the river’s beauty and terrible majesty through the eyes of its ingenuous narrator, Huck.

St. Petersburg

St. Petersburg. Sleepy riverfront Missouri village in which Huck lives with the Widow Douglas and her sister when the novel opens. It is modeled on Twain’s boyhood home of Hannibal, Missouri. The village and the widow’s proper home represent decency and the forces of civilization, against which Huck rebels. After his alcoholic father kidnaps him and takes him upstream to a crude hut on the Illinois shore, Huck initially feels liberated. However, after his father repeatedly abuses him, Huck runs off on his own. He never expresses an interest in returning to St. Petersburg. Indeed, the novel ends with him expressing a wish “to light out for the Territory”—presumably an allusion to the untamed West.

Jackson’s Island

Jackson’s Island. Mississippi River island below St. Petersburg to which Huck flees on a canoe after faking his own murder. There he finds Jim, a slave running away from St. Petersburg because he fears he is about to be sold “down the river”—every Missouri slave’s worst nightmare. The island is easy swimming distance from the free state of Illinois, but that state offers no refuge to Jim because fugitive slave laws make its western shores the dangerous hunting ground of slave catchers. Huck and Jim remain on the island until the prospect of imminent discovery spurs them to load their things on a raft and flee downriver.

Raft

Raft. Flat craft on which Huck and Jim float down the river. After a brief idyll on the island, Jim and Huck learn that slave catchers are coming and flee together on a lumber raft with a pine-plank deck about fifteen feet long and twelve feet wide that they have salvaged from flotsam delivered by the rising river. Their primary home through most of the remaining narrative, the raft represents their most reliable sanctuary from the evils of the shore and thus symbolizes the freedom they both seek. Huck’s descriptions of life on the raft contain several idyllic masterpieces.

*Cairo

*Cairo (kay-ROH). Town at Illinois’s southern tip where Huck and Jim intend to land, sell their raft, and buy steamboat passage up the Ohio River into free territory. In a critical juncture in the narrative, however, they drift past Cairo in the fog. The Mississippi continues carrying them ever deeper into slave territory and thwarts every plan they make to return upstream.

*Ohio River

*Ohio River. Major tributary of the Mississippi River, which it joins below Cairo. As the major physical barrier separating northern “free” states from southern “slave” states, the Ohio represented a threshold of freedom to African Americans and was thus an appropriate choice as Huck and Jim’s primary destination. Although Huck and Jim never actually see the river, the distinct clear-water channel that its water creates in the muddy Mississippi alerts Huck to the fact that he and Jim have drifted past Cairo. A detailed and colorful explanation of the differences between the waters of the Ohio and the Mississippi Rivers is a crucial part of the novel’s so-called “raft chapter,” which has been omitted from most editions of Adventures of Huckleberry Finn because Mark Twain used it earlier in Life on the Mississippi (1883).

Grangerford home

Grangerford home. Prosperous plantation apparently located on the Kentucky side of the river. After their raft is smashed by a steamboat, Huck is separated from Jim and taken in by the prosperous Grangerford family, whose home represents the thin veneer of southern civilization. It offers everything Huck wants in life, but after all the Grangerford men are killed in a senseless feud that unmasks southern degeneracy, he returns to the river with Jim, who has repaired the raft while hiding nearby.

*Pike County

*Pike County. Real Missouri county, about fifteen miles south of Hannibal, from which Huck claims to come when he meets the King and Duke, scoundrels who board the raft and take control, again making it impossible for Huck and Jim to return upriver. The county was notorious as the birthplace of worthless frontier characters before the Civil War and is thus another symbol of the South’s decadence.

Bricksville

Bricksville. Arkansas town in which Huck witnesses still more depravity: a shooting, a would-be lynch mob, and the King and Duke’s lurid stage show, the Royal Nonesuch. “Bricksville” is ironically named, as its streets are all mud, and its houses are rotting wood-frame structures gradually sliding into the river.

Pikesville

Pikesville. Shabby Arkansas village that is the raft’s last stop. Jim becomes a prisoner on the nearby farm of Tom Sawyer’s Uncle Silas and Aunt Sally Phelps. In a wholesale departure from the tone and movement of the narrative, Huck and Tom spend the novel’s last chapters in a farcical plot to free Jim. Afterward, Huck rebels against Aunt Sally’s plan to adopt and “sivilize” him and proposes “to light out for the Territory”—presumably the vast Indian territory west of Arkansas and Missouri.

A sequel to Tom Sawyer, Huckleberry Finn takes place in the 1830s or 1840s. It begins in St. Petersburg, a fictional town much like Hannibal, but its main action occurs on the Mississippi River. After Huck meets Jim on Jackson's Island, the two travel down river on a raft that comes to symbolize their brotherhood and freedom. Hoping to drift to Cairo, Illinois, where Jim can escape to freedom, they are diverted by a fog and travel southward to Arkansas instead. The trip ties together a series of adventures which, as many commentators have remarked, contrast the peace and freedom of the raft with the violence, corruption, and constraint of the shore.