The Adventures of Huckleberry Finn Mark Twain
The following entry provides criticism on Twain's novel The Adventures of Huckleberry Finn (1884).
Long considered Mark Twain's masterwork as well as a classic of American literature, The Adventures of Huckleberry Finn (1884) was the first important American work to depart from European literary models. It used frontier humor, vernacular speech, and an uneducated young narrator to portray life in America. Although at first the novel was roundly denounced as inappropriate for genteel readers, it eventually found a preeminent place in the canon of American literature. Huckleberry Finn, wrote Ernest Hemingway, is the novel from which “all modern American literature comes. … There has been nothing as good since.”
Plot and Major Characters
Begun as a sequel to Twain's successful children's book The Adventures of Tom Sawyer (1876), The Adventures of Huckleberry Finn follows a similar picaresque form as its predecessor, but has a much more serious intent. Narrated by the title character, the story begins with Huck under the protection of the kindly Widow Douglas and her sister, Miss Watson. Fearing that his alcoholic father, Pap, will attempt to claim the fortune that he and Tom had found (in Tom Sawyer), Huck transfers the money to Judge Thatcher. Undaunted, Pap kidnaps Huck and imprisons him in a lonely cabin. Huck escapes, leaving a trail of pig's blood to make it appear he has been killed, and he finds his way to Jackson's Island, where he encounters Miss Watson's runaway slave, Jim. One night Huck, disguised as a girl, goes ashore, where he learns that people believe that Jim killed Huck, and that there is a reward for Jim's capture. The two set out on a raft down the Mississippi River but are separated when the raft is struck by a steamboat. Swimming ashore, Huck is taken in by the Grangerford family, who are engaged in a blood feud with the Shepherdsons. In time Huck finds Jim and the two set out on the raft again, eventually offering refuge to two con artists, the Duke, and the King. These two perpetrate various frauds on unsuspecting people, claiming to be descendants of royalty or, at other times, famous actors, evangelists, or temperance lecturers. Learning of the death of the well-to-do Peter Wilks, the Duke and the King descend upon the family, claiming their inheritance as long-lost brothers. Huck helps to foil their plans, and he and Jim attempt to slip away without the Duke and the King, but the rogues catch up with them and the four set out together. When they come ashore in one town, Jim is captured, and Huck is shocked to learn that the King has turned him in for the reward. After a battle with his conscience, Huck decides to help Jim escape. He goes to the Phelps farm where Jim is being held and is mistaken for Tom Sawyer, who is the nephew of the Phelpses. Huck decides to impersonate Tom. When the real Tom arrives, he joins in the deception by posing as his brother, Sid. He concocts an elaborate plan to rescue Jim, during the execution of which Tom is accidentally shot, and Jim is recaptured. From his sickbed, Tom announces that Miss Watson has died, setting Jim free in her will. He got involved the “rescue,” he says, simply for the “adventure of it.” Jim then reveals that Huck's father is dead, that he had found the body in an abandoned boat. Aunt Sally Phelps suggests that she might adopt Huck, but the peripatetic Huck cannot foresee living in “sivilization” and resolves to “light out for the territory.”
Twain once described Huckleberry Finn as a book in which “a sound heart & a deformed conscience come into collision & conscience suffers a defeat,” and the novel traces Huck's moral development as he encounters a seemingly haphazard array of people and situations. During his journey down the river, with its series of encounters, he undergoes a rite of passage from unthinking acceptance of received knowledge and values to an independently achieved...
(The entire section is 125,351 words.)