Chapters 14–18 Summary and Analysis
Chapter 14
The next morning, Huck and Jim examine the contents of the men’s boat, which they had removed before sinking it. There are boots, blankets, clothes, many books, a spyglass, and three boxes of cigars. Huck reads the books and talks to Jim about the kings and nobles described in them. They discuss King Solomon, who had about a million wives, according to Huck, though Jim does not think this shows any particular wisdom on Solomon’s part. He also casts aspersions on Solomon’s solution to the problem of the two women who claimed the same child, complaining that half a baby would be no good to anyone. He insists on this despite Huck’s exasperated assurances that he has missed the point. It is equally difficult for Huck to explain foreign languages to Jim, who cannot see the point of the French using different words from English-speaking people.
Chapter 15
Huck loses the raft in a fog. He goes after it in the canoe, but the fog is so thick that he cannot make any progress, and eventually he goes to sleep. When he awakes, the fog is gone, and the stars are out. He sees a speck on the water, and it turns out to be the raft, with Jim on it, fast asleep. Huck lies down next to Jim, then wakes him up. He pretends he has never been away from the raft and that he knows nothing of the fog, persuading Jim that he has been dreaming. Jim believes him, until he sees that one of the oars has been smashed and that the raft is covered with leaves and other detritus. He realizes Huck has tricked him and speaks reproachfully, saying that it broke his heart when he thought he had lost Huck, and all Huck was thinking about was how to play a mean-spirited trick on him. Huck feels terrible at this and apologizes to Jim.
Chapter 16
Huck and Jim intend to follow the Ohio River, which branches off at Cairo, up to the free states, where Jim will be safe. However, with thick timber obscuring everything on both banks, they realize that they may not know when they have reached Cairo and may mistake the fork in the river for the foot of an island. Huck suddenly feels guilty about helping a slave to escape, which he sees as tantamount to stealing valuable property from Miss Watson. Jim, meanwhile, is already making plans to secure the freedom of his wife and children, about whom he has not previously spoken.
Jim thinks he sees Cairo ahead, and Huck goes ahead in the canoe to investigate. He is feeling extremely conflicted. On one hand, he thinks it his moral duty to prevent Jim from escaping. On the other, Jim has said that Huck is the only white man who has ever kept a promise he made to Jim and treated him honorably. Huck soon sees a skiff containing two armed men. They ask him about his raft and prepare to investigate it, but Huck convinces them that the people on the raft have smallpox, and the men depart. However, he later discovers from a man in another boat that the town nearby is not Cairo, though the man angrily dismisses any further questions about where they are. Huck thinks they may have passed Cairo in the fog. As they are discussing this, a steamboat hits the raft, and both Huck and Jim are thrown into the river. Huck manages to reach the bank, where there is a big house made of logs, but as soon as he sees this, a group of dogs jump out at him, howling and barking.
Chapter 17
Disturbed by the dogs, the residents of the house demand to know who is there. Huck gives his name as George Jackson and claims to have fallen off the steamboat. They greet him with great suspicion, and at gunpoint, demanding to know if he is a Shepherdson. When they conclude that he is not, they relax their guard and provide him with food and dry clothes. The clothes come from a boy called Buck, who is about the same age as Huck and instantly decides to befriend him.
Huck admires both the family, who are called the Grangerfords, and the house, which is large, elegant, and finely furnished. He describes the pictures and poetry of Emmeline Grangerford, the daughter of the family, who is dead. Emmeline seems to have been obsessed with death, which provided the subject matter for both her pictures and her poetry, leading Huck to conjecture that “with her disposition she was having a better time in the graveyard” than she had in her lifetime.
Chapter 18
Colonel Grangerford, the head of the family, is “a gentleman all over.” Huck describes him as a natural aristocrat, with a commanding presence, flawless manners, and a distinguished appearance. These are qualities shared by his family: his wife, three sons, and two daughters. The men are handsome and dress in pure white linen, and the women are beautiful and elegant. Each of them has a slave in constant attendance, and they assign one to Huck, though he is used to doing things for himself, so his slave has “a monstrous easy time.” There used to be more of the Grangerfords, but Emmeline died, and three of the colonel’s sons were killed.
Huck soon learns what the Grangerfords meant by asking if he was a Shepherdson. The Grangerfords and the Shepherdsons are the two local clans of “aristocracy” in the area. Both are equally wealthy and powerful, consisting of several families and owning large tracts of farmland and many slaves. The two families use the same steamboat landing, a couple of miles from Colonel Grangerford’s house, and Huck sometimes sees “a lot of the Shepherdsons there on their fine horses.”
Buck explains that there is a longstanding feud between the Grangerfords and the Shepherdsons, in which many members of both families have been killed. While Huck is staying with the Grangerfords, Sophia, one of the colonel’s daughters, runs away to marry the young Harney Shepherdson. This provides the occasion for a gun battle between the two families. Jim has recently discovered that Huck has been living with the Grangerfords and has been hiding out nearby and repairing the raft. The two are now reunited and resume their journey together.
Analysis
This section introduces an element of racial tension into the novel, making the relationship between Huck and Jim more complex as Huck begins to experience doubts about helping a runaway slave. As in his use of language, Twain’s primary concern here is with realism. Huck has been brought up with the institution of slavery and sees Jim as a valuable piece of property belonging to Miss Watson, as well as regarding him as a loyal friend. The difficulty of holding these two ideas about Jim in his mind at the same time finally comes to the surface in chapter 16, when Huck considers betraying Jim, not for any reward or other advantage, but simply because he considers, with part of his conflicted mind, that this would be the most ethical course of action. According to this view, helping Jim to achieve his freedom would be tantamount to stealing. Huck is even more shocked when Jim talks about freeing his wife and children. He intends to work hard, to make enough money to buy their freedom, but is prepared to smuggle them into one of the free states should this prove impossible. If Jim does this, Huck reflects, he himself will have assisted in the theft of slaves from people he has never met, which he seems to regard as an even more heinous crime than helping Jim to escape.
The section ends with the memorable vignette of feuding Grangerfords and Shepherdsons. The story of Harney Shepherdson and Sophia Grangerford is a retelling of Romeo and Juliet, but the focus is on the families rather than the young lovers. The Grangerfords fulfill both a didactic and a comic purpose in the dichotomy between their status as the perfect representatives of the American landowning class and the brutal, senseless conflict which occupies so much time and effort on their part. Twain spends some time extolling the virtues of the Grangerfords’ splendid house and their gracious way of life, painting Colonel Grangerford in particular as the ideal Southern gentleman. They all treat Huck with great kindness and courtesy as soon as they are satisfied that he is not a Shepherdson. As far as the Shepherdsons are concerned, however, the Grangerfords are implacable and murderous. One of the great ironies in this situation, as Twain points out several times, is that from an outsider’s perspective, the Grangerfords and the Shepherdsons are practically identical. Buck Grangerford even admits this when he hotly disputes Huck’s imputation of cowardice to one of the Shepherdsons, who, he says, are no more cowards than his own family.
Expert Q&A
In chapter 14 of Huckleberry Finn, what is the irony in Jim's argument against different languages?
The irony in Jim's argument against different languages in chapter 14 of Huckleberry Finn lies in his belief that all men, being equal, should speak the same language. Despite his lack of education, Jim's view that a man is a man regardless of origin highlights his inherent understanding of human equality. This contrasts with his acceptance of societal racial prejudices and Huck's inability to counter Jim's logical yet perplexing argument.
Why did Twain include the Grangerfords' adventure in chapters 15-18 of The Adventures of Huckleberry Finn?
Mark Twain included the Grangerfords' adventure in chapters 15-18 to satirize both the absurdity of feuds, like the real-life Hatfield-McCoy rivalry, and the senseless violence of the Civil War. The Grangerford-Shepherdson feud highlights the irrationality and hypocrisy of such conflicts, with Twain mocking elements like family pride and romance, akin to "Romeo and Juliet." Huck's disturbed reaction to the violence underscores the tragic consequences of these feuds.
How does the paradox in this excerpt from Chapter 18 of The Adventures of Huckleberry Finn relate to the major themes?
“I was powerful glad to get away from the feuds, and so was Jim to get away from the swamp. We said there warn't no home like a raft, after all. Other places do seem so cramped up and smothery, but a raft don't. You feel mighty free and easy and comfortable on a raft.”
The paradox of feeling "free and easy" on a cramped raft highlights Huck's desire for freedom from societal constraints. The raft symbolizes liberation from the oppressive rules and hypocrisies of society, such as those seen in the Grangerford feud. This setting allows Huck and Jim to escape the racial and social hierarchies on land, underscoring themes of societal hypocrisy and the quest for true freedom in The Adventures of Huckleberry Finn.
In Huckleberry Finn's chapter 15, what does Huck's trick reveal about Huck and Jim's humanity and maturity?
Huck's trick reveals both his and Jim's humanity and maturity levels. Huck's deception, pretending they were never separated, highlights Jim's gullibility and emotional vulnerability, showing his deep concern for Huck. If Huck's intent was to mock Jim, it reflects Huck's immaturity and lack of empathy. However, if his intent was to ease Jim's fears, it demonstrates a more mature and compassionate side. Jim's reaction shows his deep care and humanity, valuing their bond.
Discuss the significance and irony of the following quotes from Chapter XVI of Huckleberry Finn.
“Jim said it made him all over trembly and feverish to be so close to freedom. Well, I can tell you it made me all over trembly and feverish, too, to hear him, because I begun to get it through my head that he WAS most free—and who was to blame for it? Why, ME. I couldn't get that out of my, no how nor no way.”
“Here was this nigger, which I had as good as helped to run away, coming right out flat-footed and saying he would steal his children—children that belonged to a man I didn't even know; a man that hadn't ever done me no harm.”
The quotes highlight Huck's internal conflict and the irony of his situation. Huck feels guilty for aiding Jim's escape, as he has internalized society's racist beliefs that view slaves as property. Despite feeling "trembly and feverish" about Jim's impending freedom, Huck's actions reveal his inherent goodness, as he ultimately decides against turning Jim in. This conflict underscores a major theme of the novel: Huck's struggle between societal norms and his own developing moral compass.
What plot difficulties might Twain have faced in "Huckleberry Finn" after chapter 16, and what could be the potential plot developments?
After Chapter 16, Twain faced plot difficulties in Huckleberry Finn due to a shift in narrative focus. Initially centered on Huck and Jim, the story later introduces a revolving cast of characters, such as the Grangerfords and the King and Duke. This shift marked Twain's departure from a simple sequel to Tom Sawyer, aiming instead to critique American society. The novel's darker tone reflects this, as seen in episodes like the Grangerford feud.
What does the confrontation between Huck and the slave hunters reveal? How are Jim and Huck separated at the end of chapter 17?
The confrontation with the slave hunters reveals Huck's moral conflict between societal norms and his friendship with Jim. Huck decides not to betray Jim, claiming his father on the raft has smallpox, thus deterring the hunters. This decision highlights Huck's evolving conscience. At the end of Chapter 17, Huck and Jim are separated when their raft is hit by a steamboat, forcing them overboard. Huck swims to shore but cannot find Jim.
In The Adventures of Huckleberry Finn, how is the steamboat portrayed at the end of chapter 16?
At the end of Chapter 16, the steamboat is portrayed as a powerful and indifferent force on the river. It approaches Huck and Jim's raft without concern, forcing them to dive underwater to avoid being killed by the wheel. This scene highlights the steamboat's superiority in terms of speed and size, reflecting a general disdain for rafters. Twain, once a steamboat pilot, uses this experience to depict the steamboat's dominance and lack of regard for smaller vessels.
What is the significance of the death imagery in Chapter 15 of The Adventures of Huckleberry Finn?
“I hadn’t no more idea which way I was going than a dead man.” "You feel like you are laying dead still on the water"
The death imagery in Chapter 15 highlights the vulnerability of Huck and Jim when separated, emphasizing their dependence on each other for safety and guidance. It underscores the social dangers they face, with Jim at risk of capture as an escaped slave and Huck as an orphan. This imagery also foreshadows the violence and bloodshed that will occur in subsequent chapters, particularly Huck's encounter with the Grangerfords, signaling the perilous journey ahead.
What famous piece of literature is alluded to in Sophia and Harney's elopement in Chapter 18 of The Adventures of Huckleberry Finn?
Sophia and Harney's elopement in Chapter 18 alludes to William Shakespeare's Romeo and Juliet. Like the famous play, Sophia and Harney belong to feuding families, the Grangerfords and the Shepherdsons. They secretly plan to elope with Huck as their messenger, similar to how Romeo and Juliet communicated through intermediaries. The plan leads to tragic consequences, echoing the themes of forbidden love and family conflict in Shakespeare's work.
Who are the only survivors of the Shepardson and Grangerford massacre in Chapter 18 of The Adventures of Huckleberry Finn?
In Chapter 18, the only named survivors of the Shepardson and Grangerford massacre are Harney Shepherdson and Sophia Grangerford, who escape across the river due to their secret love. Additionally, a few unnamed Shepherdson men survive the gunfight. The tragic feud, reminiscent of Romeo and Juliet, leaves Huck feeling guilty for his role in the events, but he soon departs with Jim, leaving the feud unresolved.
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