(Masterpieces of World Literature, Critical Edition)

“Adam’s Curse” was first published in the Monthly Review of December, 1902, and first collected in In the Seven Woods (1903). The poem is an important example of Yeats’s mature style in the making. The subject matter of Yeats’s early poetry tended to deal with abstractions, such as love, truth, and beauty. Missing from these early poems is a sense of the poet dealing with actual experiences of the actual world. Even the early verse’s conception of Ireland is extremely romantic.

While in “Adam’s Curse” Yeats continues to acknowledge the power of romance, his attitude toward that power is now considerably changed. First, the poem draws on Yeats’s own direct experience. The three people mentioned in the poem are real. The basis for the poem is a conversation that Yeats had with “that beautiful mild woman” and is addressed to a third person who was also present at the time. This third person, the “you” of the poem, is Maud Gonne; the “mild woman” is her sister, Mrs. Kathleen Pilcher. While “Adam’s Curse” draws on elements of Yeats’s life, the poet had not lost interest in the Irish mythological figures that featured so prominently in his early work; Yeats never abandoned this interest. At the same time, however, the presence of intimate acquaintances in a private setting and the reconstruction of their after-dinner conversation represents a breakthrough in candor and immediacy for Yeats.

Second, “Adam’s Curse” is significant because of the manner in which the poet uses his new materials. His altered attitude to romance is expressed in his critical treatment of the subject. This criticism forms the closing lines of the poem. Yet these lines do not have a dramatic or climactic effect. On the contrary, they reveal the poet’s weariness of...

(The entire section is 744 words.)