The Act of Union of 1800, which brought Ireland under the direct rule of the British, was a significant influence on the conception, execution, and reception of The Absentee. Some of the act’s direct implications may be gathered from the depiction of the Dublin that Lord Colambre encounters on his arrival in Ireland. The city that had asserted parliamentary independence about twenty years earlier is a shadow of its former self. The prospect of independence was part of the public atmosphere in which Maria Edgeworth grew up. Beyond that, the kind of juridical and administrative independence conceived by the Dublin parliament was one with which Edgeworth’s family of enlightened landowners readily identified.
The Act of Union dislocated the landowning class’s sense of where their interests lay, dividing their sources of identity between the control they had over their land and the judicial and parliamentary sanction for that control, which was now lodged explicitly in the organizations of the British state. The condition of dislocation was lived out literally by many Irish landlords who spent the rents earned by their land in a manner exemplified by Lady Clonbrony in The Absentee. This subset of landlords was known as absentees, and while their absence had been a feature of Irish life long before the Act of Union, the new political order made their dereliction of duty more difficult to overlook.
Edgeworth’s sense of the significance of the various problems deriving from the new institutional and administrative arrangements forms the narrative core of The Absentee. Because it belongs to the two series of novels and novellas known by their collective title as Tales from Fashionable Life, this novel may be considered representative of the so-called silver-fork school of fiction. There is, however, a great deal more explicit cultural and political awareness in The Absentee than in most other works of that type. Silver-fork novels concentrate on fashionable life to the virtual exclusion of other concerns. Although it is extremely difficult to depict fashionable life without being aware of its economic and ideological underpinnings, such an awareness is typically merely latent. In the case of The Absentee, however, it is Lord...
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