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Critical analysis of "A Mercy" by Toni Morrison

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A critical analysis of A Mercy by Toni Morrison reveals themes of slavery, motherhood, and survival in 17th-century America. The novel explores the complex relationships between characters of different races and backgrounds, highlighting the brutal realities of the time. Morrison's narrative structure and rich, poetic language deepen the reader's understanding of the characters' struggles and resilience.

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What is a critical analysis of A Mercy by Toni Morrison?

In the historical novel A Mercy, Nobel Prize–winning author Toni Morrison explores the origins of freedom and slavery in an area of North America that, a century later, would become an important part of the United States. She sets the novel primarily in the British colony of Maryland, which was mainly settled by Catholics. By the late 1600s, when the novel begins, slavery had already become an established element of European colonial society.

The main character is an African American adolescent girl who has been enslaved for most of her life. Morrison explores the inescapable contradictions of a society that is dependent on slave labor yet espouses freedom of religion as a basic value. By using a female protagonist, the author delves into the underlying assumptions of racial and gendered hierarchy that Europeans used to rationalize the enslavement of African people and their descendants.

These paradoxes are concentrated...

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in the central, ironic premise of the title: because she saw slavery as inescapable for her daughter, Florens’s mother sought the least odious situated of enslavement. The Dutch couple that took the girl engaged in an act of mercy. Moreover, slavery was not restricted to people of African heritage, as an enslaved Native American named Lina is Florens’s coworker on the Vaarks’ farm.

A contrasting embodiment of freedom and power is offered through the character of the Blacksmith, who is otherwise not named. He is a free man of color who works independently. As Florens becomes involved with him, she gains a vision of personal choice as an ideal for everyone, not just white people. Using multiple storylines and two contrasting narrators enables Morrison to emphasize the complexities of the characters' social worlds. However, the reader maybe challenged to follow each distinct line.

As important as the personal stories is Morrison’s portrayal of the landscape—both its wildness and the diverse human attitudes toward coaxing a living out of it or conquering it. The characters’ intimate relationships with the land are also seen as corresponding to different religious philosophies, including Biblical visions of paradise.

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Here is a brief summary of the book. Feel free to check out the eNotes Study Guide on this work for more detailed information about the characters and themes in this work.

Chapter 1: We are in the seventeenth century at the beginning of slavery in America. We are introduced to the main character, Florens, a 16-year-old slave who was recently purchased and separated from her mother. 

Chapter 2: We are introduced to Jacob Vaark, Florens' owner. He has sympathy for orphaned slaves and owns two other girls who have lost their families.

Chapter 3: Florens is addressing her lover, a free African blacksmith who works for Vaark. Jacob dies from smallpox and his wife discovers sores in her mouth that lead her to quarantine everyone on the estate. Rebekka, Vaark's wife, sends Florens to fetch the blacksmith. He has medical knowledge and might be able to help.

Chapters 4-5: Lina, one of Vaark's orphan slaves, recounts her time at the Vaark estate. Jacob and Rebekka's children have all died early. Lina sees the tragedy currently befalling the family (no children, Jacob dying, Rebekka sick) as a sign of nature taking its revenge against their vain felling of the trees to build their house. Lina wonders if Florens will return to the house with the blacksmith or use this opportunity to run away.

Chapter 6: Florens is on her way to find the blacksmith and contemplates how she does not like the feeling of freedom.

Chapter 7: Rebekka is in bed and delirious, remembering her early years in England as well as her journey to the New World and the enjoyable years she spent with Jacob. She mourns the children she has lost.

Chapter 8: Florens continues on her way, stopping to accept food and drink from a group of young Native Americans. She reflects on how Lina has warned her not to become involved with the blacksmith (Lina was once abused by a lover.) She stops to spend the night at the home of Widow Ealing, whose daughter is suspected of witchcraft. When the village authorities come to Widow Ealing's home to investigate her daughter's behavior, they also suspect Florens of being involved with witchcraft. The note she carries from Rebekka allows her to escape and she continues on her journey to find the blacksmith.

Chapter 9: Sorrow (another of Jacob's orphaned slaves) tells her story of living aboard a ship, almost drowning after a shipwreck, her time spent at the home of the sawyer, her failed pregnancies, and her smallpox contamination. The blacksmith arrives without Florens and finds that Rebekka is feeling better. Williard and Scully, two indentured servants who also work for the Vaarks, help to deliver Sorrow's baby. The infant is healthy, and Sorrow's joy leads her to change her name to "Complete."

Chapter 10: Florens arrives at the home of the blacksmith, who decides he will go to see Rebekka alone. Florens is left in his home to take care of a foundling named Malaik. Florens decides that she will stay with the blacksmith rather than returning to the Vaarks. She is jealous of the blacksmith's affection for Malaik and hides his cornhusk doll. The boy kicks a stool in anger, and she breaks his arm trying to hold him down. He faints, and when the blacksmith returns to see what has happened he orders Florens to return to the Vaarks.

Chapter 11: Williard and Scully, the two indentured servants, have formed a homosexual relationship and consider the Vaarks to be their family. They reflect on how the household has changed since Jacob's death and note that only Sorrow is doing well with her new baby.

Chapter 12: Florens has returned to the house following a violent altercation with the blacksmith. Williard and Scully have mistaken her as Jacob's ghost. Sorrow wants to take her baby and escape with Florens, as Rebekka is threatening to give her away. Before she leaves, Florens decides to write a message on the walls of her room with a nail. Sadly, she realizes that the blacksmith cannot read and that the house might burn down, meaning that her words will go unread. She regrets not being able to communicate with her mother who separated from her in order to care for her infant boy.

Chapter 13: Florens' mother tells the story of how she gave her daughter to the Vaarks to help her escape the cruel, abusive treatment of her mother's masters. 

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