London is the capital of a future (from the perspective of 1949, when George Orwell wrote the book) political unit called Airstrip One in the superstate Oceania that is the setting for the novel. London’s skyline is dominated by four government ministries, whose enormous bulk and tasteless architecture distinguish them from the surviving historical structures surrounding them. Residential sectors of the city segregate members of the unnamed Party from proles (“proletarians”), but both Proles and Outer Party members live in crumbling tenement buildings that are unsanitary, crowded, and poorly maintained. Police patrols are highly visible; posters of Big Brother—the ever-present, seemingly loving personification of the state—are ubiquitous.
The city’s squalor is symptomatic of the Ingsoc government’s disdain for the welfare of its own citizens. This is the result of a change in the fundamental principles and core values of the society; human rights are nonexistent, and all available resources support building and maintaining government structures that administer and preserve the collective. The life of the individual is barren; this barrenness is suggested by lack of luxury, beauty, and privacy.
Inner Party member Winston Smith has a fascination with the past that he acts out by paying clandestine visits to the oldest and meanest areas of the city, where the proles live and work. Because the proles are considered by Inner Party leaders to be beneath concern, their sectors are largely ignored by the government and have become de facto museums of prerevolutionary culture, customs, and mores. Only within the prole neighborhoods can Winston enjoy the smell of real coffee, the sounds of unconstrained conversation and songs, and the sights of uninhibited children playing and adults gathering to talk—all of which reminds Winston of his own childhood and suggest the complexity and fullness of prerevolutionary life.
Victory Mansions. Run-down London building in which Winston has a flat on the seventh floor. The building has bad plumbing, no heat, a broken elevator, and the inescapable stench of rancid cabbage. The one thing in the building that works flawlessly is its network of telescreens, which broadcast ceaseless propaganda and, in turn, watch residents through television cameras.
Charrington’s shop. Cramped, dilapidated antique store in a prole sector of London that Winston frequents. He sees the shop as a microcosmic remnant of the past, but it is, in fact, a carefully maintained surveillance tool. Its upstairs apartment, which Winston rents for trysts with Julia, becomes the place of their downfall. Though infested by biting bedbugs and large, aggressive rats, the room also has a private entrance to facilitate Winston and Julia’s secret meetings. There they abandon themselves to sensuality only because they think the room has no telescreen. However, it does have a telescreen, which, ironically, is obscured by something that would never be found in the home of a Party member—an engraving of a medieval church. The illusion of privacy leads Winston and Julia to incriminate themselves, and furthermore leads Winston inadvertently to betray his abject horror of rats to the Thought Police watching him and Julia through the telescreen.
Ministry of Truth
Ministry of Truth. Government ministry building in which Winston is one of many writers who revise historical records to match the government’s constantly changing definitions of reality. Each time Oceania’s military alliances shift, history must be rewritten to show that Oceania has always had the same allies and same enemies. Winston often rewrites the same news stories many times, making something different happen each time, and he comes to appreciate the power of the government precept that whoever controls the past controls the future.
Ministry of Love
Ministry of Love. Site of Winston and Julia’s detention, torture, and...
(The entire section is 2,625 words.)