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In Act 1, Scene 2 of Merchant, Portia--who is conflicted about the casket test that her deceased father designed for her suitors--tells Nerissa to name her potential husbands so that she can describe her feelings for each. When Nerissa mentions the Neapolitan Prince, Portia responds,
"Ay, that's a colt, indeed, for he doth nothing but talk / of his horse; and he makes it a great appropriation to his / own good parts that he can shoe him himself: / I am much afraid my lady his mother played false with a smith" (1.2.37-40).
Thus, Portia does not care for the prince because he talks only about horses and takes pride in the fact that he can perform a common laborer's task (shoeing a horse). Portia even insults the prince's mother by saying that the prince might be so interested in horses because his mother had an inappropriate relationship with a blacksmith.
In Scene 2, as Portia continues with her critique of each of her suitors like the Neapolitan Prince, the audience obtains a clear perspective on Portia's wit and independent spirit as well as what type of man she desires to marry.
the answer for this is that she was raped and fucked hardly by him
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