The Lady or the Tiger? Questions and Answers
by Francis Richard Stockton

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What would be the exposition of "The Lady or the Tiger?" by Frank Stockton?

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The beginning, or exposition, of Frank Stockton's short story "The Lady or the Tiger" establishes the mentality of the king of a mythical realm. He is immediately described as "semi-barbaric," meaning that he shares thoughts of civilization, such as a well ordered government, with thoughts of savagery, such as having criminals killed by very violent means. The narrator explains that the king held firm control and made most of the important decisions himself:

He was a man of exuberant fancy, and, withal, of an authority so irresistible that, at his will, he turned his varied fancies into facts.

Moreover, he delighted in solving difficult problems. The narrator indicates that "nothing pleased him so much as to make the crooked straight and crush down uneven places." One problem was that of justice. The king built an arena for that purpose, but his idea of justice didn't involve courtrooms and stuffy lawyers. Rather, it hinged on what the narrator called "poetic justice." A semi-barbaric king could not simply try a suspected criminal with judge and jury. His justice involved a much more interesting trial which, to his credit, was quite popular among his subjects. His form of justice, based solely on luck, included two doors in the arena, one with a lady, and the other with a tiger. If the accused chose the lady, he was instantly married, but, if he chose the tiger, instantly killed. The main conflict of the story is introduced a little later as the reader learns that the king's daughter has chosen a commoner for a lover. As this is frowned upon in mythical kingdoms, the lover is accused and tried in the arena.

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The exposition is the description of the king and the trial system.

Exposition is the beginning of a story.  It is where a story’s setting, characters, and inciting incident are described.  In this story, the author describes the kingdom and the king.  The king’s personality is very important.  He is described as “semibarbaric.”  We do not know exactly when the story takes place, but we are told it was a long time ago.

In the very olden time there lived a semi-barbaric king, whose ideas, though somewhat polished and sharpened by the progressiveness of distant Latin neighbors, were still large, florid, and untrammeled, as became the half of him which was barbaric.

From this, we can gather that the story took place a while ago, and that the kingdom is not near Latin America.  We also learn that the king has some very original ideas.  The word “semibarbaric” basically means that he is at war with himself.  He wants to be civilized, but he also has a savage side.

The king’s personality results in a very unique system of justice that he thinks is quite clever.  It is important to the exposition of the story that this system of trial be described, because the plot will turn on the trial’s unique format.  In this system of justice, an accused person is sent into an arena to make a choice.  The outcome of the choice determines if he is considered innocent or guilty.

Directly opposite him, on the other side of the enclosed space, were two doors, exactly alike and side by side. It was the duty and the privilege of the person on trial to walk directly to these doors and open one of them. He could open either door he pleased; he was subject to no guidance or influence but that of the aforementioned impartial and incorruptible chance. 

Behind one door is a tiger, which will instantly maul the contestant.  Behind the other door is a lady, who has been chosen specifically for the accused.  Apparently all accused are men.  The lady then marries the man, whether or not he was already married.  The king cares not for such trivialities.

The inciting incident is the last part of the exposition.  It occurs right before the rising action, and it serves to introduce the story’s problem.  In this case, the problem is the king’s daughter.

This semi-barbaric king had a daughter as blooming as his most florid fancies, and with a soul as fervent and imperious as his own. ... Among his courtiers was a young man of that fineness of blood and lowness of station common to the conventional heroes of romance who love royal maidens. 

Naturally the king did not approve of the match, and so the princess’s lover is about to be thrown into the arena.  This is a problem, because as the story progresses we learn that she is going to find out what is behind what door, and will tell him.  But will she tell him the right door to save his life?

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