The title of James Joyce's novel, A Portrait of the Artist as a Young Man, refers to it's main protagonist, Stephen Dedalus. The novel follows Stephen throughout his childhood and adolescence, chronicling his life as a toddler, a schoolboy, and, finally, as a young artist setting off into the world to pursue his art. In the title, the words "artist" and "portrait" refer to Stephen's identity as an artist; though Stephen is an aspiring writer, the word "portrait" illustrates his love of art and his ambition to create representations of reality. Furthermore, the final words, "young man," allude to Stephen's youth, inexperience, and growing pains. All in all, the title has come to signify one of the greatest coming of age stories in English literature.
It must be noted that the word "portrait" is a deliberately strange choice here, and so it warrants further inspection. A portrait is a static object, something that neither moves nor evolves over the passage of time. This is a strange word, therefore, to choose as the title of a novel. One can speculate, however, that by using the word "portrait," he meant to add a static form to his novel and to the development and evolution of Stephen himself. Rather than following the easy chronology of earlier works, Joyce was set on creating something truly experimental, a work of literature based on a series of vignettes rather than a traditional narrative. Thus, "portrait" signifies the novel's nearly cubist aesthetic, as it accurately describes the way in which Joyce stitches together scenes from Stephen's life and growth without actually forcing a definite meaning or narrative upon them.