Living during the Victorian period, Matthew Arnold believed that Christianity's significance and power to unite people had faded. He thought that with a more critical historical account of the religion's history and a general (cultural) shift of interest from spiritual to material needs, the Victorian culture could no longer have much use for religious guidance. Arnold also saw the pre-modern (Victorian) culture as one more interested in science and industry. However, since he did not see these developments as unifying narratives of humanity either, he sought substitutes. In "Dover Beach," he offers a substitute of love. After having dismissed religion's unifying power (the "Sea of Faith"), the speaker (Arnold) also dismisses the new, pre-modern, Victorian world:
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
In the concluding lines, Arnold refers to armies clashing and this could refer to military conflicts of his time such as the 1848 revolutions in Europe. Thus, the Victorian period, in Arnold's analysis, was marked by industrialization, modernization, and even revolution. With such significant changes in culture and daily life, Arnold proposes a perspective in "Dover Beach" in which the speaker is disillusioned by the fading religion of the past and the superficiality of modernization of the future. In Culture and Anarchy, Arnold suggests how culture (an individual and social humanism with beauty and intelligence as its goals) could become a new narrative for society. Likewise, in "Dover Beach," Arnold suggested an emphasis on the individual's culture (love and appreciation) in the wake of fading religion and at the beginning of modernization.