One thing the reader quickly learns about Anna Avalon is that she "lives comfortably in extreme elements." Anna is confident where others would be fearful. Most notably, she is half of a high-flying trapeze circus act and performs with calm skill even while seven months pregnant. More prosaically, though, Anna...
One thing the reader quickly learns about Anna Avalon is that she "lives comfortably in extreme elements." Anna is confident where others would be fearful. Most notably, she is half of a high-flying trapeze circus act and performs with calm skill even while seven months pregnant. More prosaically, though, Anna moves from country to country at a young age, learns to read as an adult, navigates the death of her first husband and the stillbirth of her first child, and faces blindness caused by cataracts, all with courage and grace. Her calm confidence is seen in her daughter, the narrator, as well. The narrator remains calm during the house fire, performing all the correct steps to lead to her rescue.
The reader also learns that Anna is resourceful. Twice in the story she finds a solution in the heat of a panicked moment that saves someone's life—first her own, then the narrator's. As Anna herself would put it, "[you'd] be amazed at how many things a person can do within the act of falling." First, during the circus accident, she realizes something has gone wrong and pulls off her blindfold just in time to see her husband falling to the ground. Instead of succumbing to panic or grief and falling after him, Anna quickly turns the other way and grips a guy wire until she can descend slowly. Later, during the house fire, Anna realizes her child is trapped upstairs while the house burns down. Again, instead of feeling panicked or helpless, Anna climbs a tree, leaps to the window, and saves her child.
Finally, the reader learns that Anna Avalon is practical and no-nonsense. Most importantly, as outlined above, she does what needs to be done to save herself and her child during both fires. She does so without fear of pain (she severely burned her palms holding the guy wire but did not let go) or embarrassment (she stripped to her underwear in front of the crowd to save her child, because she knew she needed maximum agility to leap to the window). Anna also moves past grief and nostalgia throughout the transitions in her life. After the loss of her husband and first child, Anna is able to recover and start a new family. After she leaves the trapeze act, she does not hang on to costumes and fliers or constantly relive her memories but instead moves into the second act of her life, living on the farm and becoming a voracious reader. When she loses her sight, she does not complain or grieve but simply learns to get around without sight.