The Romantic revival refers to a period from the late eighteenth century through 1832 in which poets, writers, and artists across Europe, but particularly in Germany and England, reacted against the Neoclassicism that preceded them. Neoclassical poetry was rooted in Greek and Roman models and used strict forms, such as carefully metered rhyming couplets in poetry. It valued balance and emotional restraint and tended to concentrate on the deeds of great men. The Romantics rebelled against all this, seeking a greater emphasis on emotions, experimenting with freer verse (or artistic) forms, and focusing attention on common people and nature. In poetry, the movement is most strongly associated with Goethe in Germany and Wordsworth and Coleridge in England. While the preface to Lyrical Ballads is most often, and rightfully so, used as a guide to the tenets of Romanticism, especially the emphasis on "the spontaneous overflow of powerful feelings ... emotion recollected in tranquillity," Wordsworth gives other insights into his motivations for writing in "The Prelude," a long poem published after his death but first drafted in 1805. In it, he speaks of his insight and conviction that as poet-prophet he could describe the common person in a sympathetic light, a task important to him after he witnessed the French Revolution turn into a bloodbath. He was one of many artists of his period who felt a surge of interest in and sympathy for the common person and for nature as solace in a corrupt civilization. Of course, nothing occurs in a vacuum, and the seeds of the Romantic revival were sown throughout the eighteenth century.
In 1798, Wordsworth and Coleridge published Lyrical Ballads jointly. A preface to it was added in 1800 by Wordsworth. This is what historically initiated the poetry of Romantic Revival. The word 'Revival' indicates that they were trying to recreate with a difference, the Elizabethan romantic aura as against the Neo-Classical framework.
1. The stress on imagination as against intellect. Wordsworth in his preface defined poetry as "spontaneous overflow of powerful feelings". Coleridge classified imagination as primary and secondary/poetic in Biographia Literaria. Poets were divined by their imagination. Romanticism is often called 'the renaissance of wonder.'
2. This was poetry of subjectivity as opposed to the Neo-Classical objectivity. The quest of the I/ the self in relation to the transcendental self of divinity was the journey.
3. Emotion and passion were given priority over reason. Worsworth said poetry was born of 'emotions recollected in tranquility.' So, memory too played a key role.
4. This was non-elitist democratic poetry that defined the poet as just another man talking to other men. They argued that poetic language has to be a very normal language and not very different from the everyman's speech.
5. The slogan was 'return to nature'. There was no elitist urbanity in their poetry. Nature both outer and inner was seen as innocence, purity, safety and fascination.
6. Humanism, love of mankind, progressive anthropomorphic attitude characterized their works.