What is the theme of the story "The Sniper"?

The themes of "The Sniper" include danger, carelessness, and the devastating effects of war.

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I would argue that there are three themes in Liam O’Flaherty’s “The Sniper.” One is danger, another is carelessness, and the third is the devastating effects of war.

The danger of war comes up early on, when the Republican soldier gives away his position by lighting a...

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I would argue that there are three themes in Liam O’Flaherty’s “The Sniper.” One is danger, another is carelessness, and the third is the devastating effects of war.

The danger of war comes up early on, when the Republican soldier gives away his position by lighting a cigarette and is immediately dodging bullets. Even this does not deter him from his goal, and he shoots at a man in an armored car and a civilian without thinking twice. His character is that of a hardened soldier, rather than that of a man in agony from having just taken a bullet to the arm.

The theme of carelessness relates to the sniper’s victims: his brother, the old woman, and the man in the armored car. All three are careless in various ways, and their carelessness costs them their lives. The man in the car should have known better, but he stops anyway to listen to what the woman has to say and loses his life. The old woman, who thought she was doing the right thing by being an informer, is killed before she could get back to safety. The sniper for the Free Staters fails to realize that he has been tricked and gives away his position, allowing his murderer (who also turns out to be his brother) a clear shot.

The theme of the devastating effects of war is left largely to the reader’s imagination, as it is in the last line of the story that the most significant horror comes. The sniper realizes that he has shot and killed his own brother. No matter how their differing political ideologies had driven them apart, it is hard to imagine the toughest of soldiers enduring this moment without significant pain.

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Liam O’Flaherty explores the theme of the impersonality of war in his celebrated short story "The Sniper." The story is written from the third-person limited perspective and chronicles an eventful, violent evening during the Irish Civil War from the vantage point of a Republican sniper. Liam begins to examine the impersonality of war by leaving the young Republican sniper unnamed. The Republican sniper must avoid the enemy Free-Stater sniper stationed on the opposite rooftop. The Republican sniper also shoots an enemy Free-Stater, who is manning a turret, and proceeds to kill an old woman acting as an informant.

Unfortunately, his shots gain the attention of the sniper stationed on the opposite rooftop, and he is forced to create a ruse to defeat his enemy. The Republican sniper ends up shooting his enemy and leaves the rooftop to look into the man's face. When the Republican sniper looks into the dead man's eyes, he discovers that he has killed his brother.

By leaving the characters nameless, Liam illustrates the impersonality of war, where everyone is reduced to either an ally or enemy. The Republican sniper is shooting at "enemies," not people, which psychologically allows him to continue fighting and hardens his heart. Despite feeling remorse and regret for his actions, the Republican sniper convinces himself that he is simply carrying out orders by killing anonymous enemies. It is only when the Republican sniper stares into the eyes of his enemy that he views him as a person. Ironically, he discovers that he has killed his brother, and the impersonal war becomes personal.

Liam is suggesting that war desensitizes individuals to the point that people are reduced to anonymous enemies while hardening the hearts of those engaged in conflicts. He also illustrates the absurdity and futility of fighting against individual human beings at the end of the story.

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"The Sniper" by Liam O’Flaherty is a story written in the third person, closely following the viewpoint of a sniper on the Irish Republican side in the Irish Civil War. The narrator, although using the third person, is limited to the sniper's viewpoint and has full access to his thoughts and emotions. 

The theme of the story is only fully revealed with the surprise ending. Through the story we get an increasing sense of the similarities between the two snipers, the viewpoint character and his enemy. At first, we think that the similarity and even empathy has to do with their identical roles leading to similar ways of thinking and building a bond between the two men. The sniper, after killing his enemy:

revolted from the sight of the shattered mass of his dead enemy. His teeth chattered, he began to gibber to himself, cursing the war, cursing himself, cursing everybody.

This suggests that the central theme of the story is the cruelty and senseless violence of civil war. When the sniper shoots from a distance, he can separate himself from this reality, but when he draws physically close to the anonymous "enemy" he can no longer shield himself from its reality. The final revelation of the story makes us realize that people with whom we disagree should not be characterized simply as anonymous "enemies". 

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The main theme of "The Sniper" is the tragedy of warfare. This story is about the Irish Civil War, so it makes a more specific comment on war by showing how soldiers can become desensitized to violence and, in turn, how nations can except war as a rational solution. At the end of the story, the protagonist approaches the man he's just killed, turns him over and "looked into his brother's face." Civil wars have often been described as "brother against brother." This could imply that actual brothers can fight on opposing sides of the war, but it also could imply that citizens of the same country are symbolically brothers, stating that any civil war is violence against one's own family. Taking this a step further, any war at all is violence against one's own species. Taken quite literally, any war is violence against your own kind. When the protagonist sees "his brother's face," this might be a moment when he once again becomes sensitized to death. 

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