I would say that one of the most important philosophical conditions that arises out of the drama is how skewed individual perception truly is. There is no real, substantive, and overarching condition of "truth" that emerges at the end of the drama. Rather, there is the belief that human beings' biases preclude anything transcendent from being embraced in a full and legitimate manner. Each character believes that they are acting in a sense of totality, and in reality, they are not. Iago believes that his machinations and scheming represents a transcendent order whereby every single individual and occurrence can be calculated to his advantage. ...
(The entire section contains 331 words.)
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