What is the climax of The Great Gatsby? Is it when Tom confronts Gatsby and Daisy in the hotel or when Gatsby is shot?

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The climax of The Great Gatsby occurs when Tom pulls the veil from Daisy's eyes about Jay Gatsby being part of a bootlegging organization. This entire scene that occurs in chapter 7 focuses on Tom trying to destroy everything about Gatsby—saying Gatsby isn't an Oxford man, but is a "Mr. Nobody from Nowhere" and a "common swindler." When Gatsby finally loses his cool, he attacks Tom and looks as if "he had 'killed a man.'" This moment seems to be the absolute climax as Tom wins the conflict without having to throw a punch or pull out his pocketbook.

After this scene, the entire novel resolves itself. When Gatsby attempts to explain everything to Daisy, she draws "further and further into herself, so he gave that up, and only the dead dream fought on as the afternoon slipped away . . . "

In addition, the rest of the novel is the cleanup of the messes Daisy and Tom have made. Myrtle, Gatsby, and George all die, leaving no witnesses to the crimes of Tom and Daisy.

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The more compelling argument is that the climax of The Great Gatsby comes in the confrontation episode, when Tom, Gatsby, Daisy and Nick are all together at the same time. 

This scene brings the major story-lines of the novel together and the tensions which had been building thus far gain full expression and are brought out into the open. 

Gatsby's quest ends in this episode when Daisy refuses to say that she never loved Tom. Daisy's dilemma comes to an end here as well as she sees for the first time the true nature of her choice (to be with Gatbsy and render her entire past meaningless or to remain with Tom and give up on the dream of high romance). 

We can argue that the climax is carried through to the car accident. It is the accident which kills Myrtle that brings an end to another major story-line, the affair between Tom and Myrtle.  

Not only is the accident a high dramatic point, but there is also a noticeable shift in tone as the narration turns to resolution immediately afterwards.

The drama is over as is the sense that anything more meaningful will happen. Though Gatsby's death is still to come at this point, we can argue that his death is part of the novel's resolution, a part of the aftermath of the summer's events. (This notion is reinforced by a number of details in the narrative, including the idea that the leaves will fall soon and the pool is going to be drained.) The death really changes nothing and so is not significant as a plot point

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