Discuss significant epic conventions that are found in the Iliad.

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Homer's poem The Iliad is a classic example of an epic poem because it adheres to the traditional epic form in so many ways. For instance, the story takes place over a wide area. Specifically, The Iliad takes place during the Trojan War and so follows people over vast...

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Homer's poem The Iliad is a classic example of an epic poem because it adheres to the traditional epic form in so many ways. For instance, the story takes place over a wide area. Specifically, The Iliad takes place during the Trojan War and so follows people over vast distances and through varying environments as they travel to and from battles. The Gods are also involved, and they are specifically invested in the outcome of events in the story. Zeus himself makes an appearance in The Iliad, as do Aphrodite, Athene, and others. The Iliad also starts in the middle, which functions to drop readers into the action directly and leaves explaining the setup for later. These are some of the most prominent epic conventions that can be found in the poem.

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The Iliad is an example of what is known as "oral-formulaic epic." Rather than originally having been composed in written form by a single individual, it is an accumulation of traditional materials concerning the Trojan War, perhaps shaped by a single "monumental poet" from earlier materials. It displays many characteristics of formulaic composition.

One of the most obvious elements of this in the Greek text (something reproduced more or less faithfully by various translators) is the presence of epic epithets or formulae, repeated phrases that fill out a particular metrical portion of a line. These can be noun or verb phrases, such as "the laughing Aphrodite" or "beating the sea with their oars." These phrases, repeated over the entire epic, irrespective of relevance to context (the phrase "laughing Aphrodite" is used even when Aphrodite is crying), not only facilitate oral improvisational composition but help to create the strongly delineated flat characters, defined by a limited set of characteristics, typical of oral epics. Formulae exist on the level of scene as well as lines, such as "donning armor" and combat scenes.

Another typical epic characteristic is that The Iliad is highly agonistic, not just in terms of the overall story arc, which is about a war, but also in terms of the way people compete to be the best ("aristos," somewhat equivalent to an MVP in modern sports) in the day's fighting.

Another characteristic of epic we see in The Iliad is that it is agglutinative. It creates its effects not by analysis but by heaping up details. A typical battle, for example, is shaped using the rhetorical structure known as gradatio or climax, in which a hero kills a series of opponents, beginning with weaker nameless ones, progressing to stronger named ones, and finally engaging in a climactic battle with a powerful opponent.

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I think that Homer's work embodies several conventions or elements of the epic poem.  On one hand, the oral recitation element is of vital importance to the epic poem, and something that Homer's work embodies.  The work is meant to be read aloud, even from its opening words calling to "Sing" to the "Goddess."  This is also a representation of an epic conventions in the muse invocation to commence the work. Additionally, the setting of the work is the in the midst of the Trojan War.  The War has been raging for some time in the Homeric work, fulfilling the convention of the epic as being taken place in media res.  The setting of the Homeric work as being taken place all over the vast settings where the battles take place, vast fields where Achilles, Hector, and Agamemnon must wage war.  Probably one of the most representative elements of the epic poem is the use of the heroes in the narrative.  Achilles and Hector lead the many heroic characters in Homer's work.  Finally, I think that the presence of the Gods and Goddesses in Greek belief is significant in enabling Homer's work to embody a characteristic of the epic poem.  The divine are seen as constantly intervening on behalf of or against the mortals, helping to make the work one of epic proportions and conventions.

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