What devices does Golding use to create suspense in Lord of the Flies?

3 Answers

sciftw's profile pic

sciftw | High School Teacher | (Level 1) Educator Emeritus

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I think an one literary device that Golding uses to build suspense is the setting of the story. The setting is on a deserted island, and there are no adults around. The young boys are on their own. Readers also know that the boys are on the island because their plane was shot down. It wasn't a mechanical failure, so readers have the added worry about possible enemy combatants being on or near the island. Add to that the comment from Ralph that nobody knows where they are, and that rescue might be a long way off.  

“The plane was shot down in flames. Nobody knows where we are. We may be here a long time.”

All of these details put the reader on heightened alert and add to the suspense of the story.  

Another literary element that adds to the suspense is foreshadowing. Early in the story readers are told about a beast. This, by itself, adds suspense because so much is unknown. Is it real? What could it be? Where does it live? All of those questions are left unanswered, so reader imagination begins to take over. The frequent reminders about a possible beast foreshadow the coming conflict with that beast; however, about halfway through the story, Golding offers up a new foreshadowing warning about the beast. He has Simon announce that the beast might actually be inside each of the boys. 

“Maybe,” he said hesitantly, “maybe there is a beast.”

[...]

“What I mean is . . . maybe it’s only us.”

A third literary device that Golding uses to build suspense is conflict. There is a lot of conflict in this book, but I am specifically referring to the conflict between Ralph and Jack. That conflict moves from each boy being wary of the other to a full blown life and death struggle. Their physical battles are suspenseful, and their battles to win the hearts and minds of the other boys are equally suspenseful because readers simply don't know which boy will win.  

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mrerick's profile pic

mrerick | High School Teacher | (Level 2) Associate Educator

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Most pointedly, it has to be atmosphere.  Think about the night that Simon is killed.  Golding describes a group of boys with painted faces and bodies dancing around a fire while thunder crashes and bolts of lightning sporadically light up the sky.  As the boys get more and more worked up, they form rotating circles and being their chant.  As the storm gets closer and louder so, too, does their chant.  The louder the chant gets, the faster the circle spins.  Then just as the boys are worked into a frenzy, a littlun spots a "beast" struggling to get out of the jungle thickness, and, without warning, the mass descends upon Simon.

yazwaneis's profile pic

yazwaneis | Student, Undergraduate | eNotes Newbie

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He uses metaphors to build up suspense; the creature was a party of boys.  Aswell as that he uses imagery and personification, especially in describing the first fire.  There is lots of syumbolism in his work too, he has the symbol if the conch, for freedom of speech, the fire, and the beast, as well as that Simon is meant to be a prophetic figure, like chirst, and so he has hallucinations with the lord of the flies or beelzebub (the devil).

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