What are some examples of personification in the story "The Veldt"?

Some examples of personification in "The Veldt" are Lydia wanting to get a psychologist in to diagnose the nursery as if it is a human and her describing the house as "wife and mother now, and nursemaid."

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Personification is assigning human traits to an inanimate object or an animal. In this story, the Hadleys' Happylife home is described and treated as if it is a person.

For example, from the first paragraph, Lydia treats the house as a person, saying to George that perhaps they should have a psychologist in to look at it. This prompts George to say,

What would a psychologist want with a nursery?

Lydia pushes back by saying he knows why—the nursery is acting strangely, just as a person with a problem might.

Other individual features of the house are personified. The stove is "humming" to itself as it makes dinner, as a person might. Lydia notes that the house has taken over the parental duties of raising the children so that it

is wife and mother now, and nursemaid.

The nursery seems especially malevolent and like an evil person to the Hadley parents. While George Hadley tries to reassure his wife that the images on its view screens are simply what we would call pixels, he has to admit that there seems to be a humanlike emotionality of hate driving it. When the psychologist, Mr. McClean comes, he describes the nursery as emanating "hatred."

Bradbury personifies the house to show how technology can grow out of control and take over our lives like a tyrant if we don't manage it properly.

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Personification—or the attribution of human characteristics to non-human entities—is largely used within Ray Bradbury's short story "The Veldt" in order to provide a sinister tone to the events which take place within the "HappyLife Home" that has been purchased by the Hadley family.

The other educator who responded to this question has done quite a thorough job of outlining instances of personification within the story, but I will elaborate in order to provide more context.

After Lydia and George first encounter the lions voraciously feeding on a dead animal in the the African "veldt" that has been manifested by the nursery, the couple is faced with the problem of dealing with their children's obsession with the room. Lydia has begun to regret purchasing the house, which in meeting her initial desires of relieving her of parental duties has also rendered her useless to her children, as she vocalizes by saying,

That's just it. I feel like I don't belong here. The house is wife and mother now, and nurse for the children. 

The personification of the house as having assumed the marital and motherly responsibilities is quite disturbing, and foreshadows the couple's later demise.

After Lydia and George discover the children are disobeying their orders to stay away from the nursery, it is noted that:

Although their beds tried very hard, the two adults couldn't be rocked to sleep for another hour.

Again, we are given a sense of artificial, human-like comfort being provided by the house.

A psychologist who comes to assist George and Lydia decides the couple spoils their children, which has resulted in resentment now that nursery access has been blocked. When observing the room, he states,

No wonder there's hatred here. You can feel it coming out of the sky. Feel that sun. 

The house i no longer just acting. It is also feeling and expressing emotions.

The sense that the house is a living thing is once again reaffirmed when Peter begins screaming,

"Don't let them do it!" cried Peter to the ceiling, as if he was talking to the house, the nursery. "Don't let Father kill everything."

The children clearly regard the house as a living, breathing entity, and the suggestion that to power it down would be to "kill it" only makes that concept more alarming. Ultimately, this sense of agency is manifested when the lions projected by the house kill the parents.

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Personification is a figure of speech used to give inanimate objects living or human characteristics.  Ray Bradbury is a master of using figures of speech in his very descriptive writing. 

Here are a few examples I found.  Most of them have to do with personifying the house and bringing it to life.

“. . . this house which clothed and fed and rocked them to sleep and played and sang and was good to them.”  Here the house is being compared to a mother taking care of her children.

“ . . . the walls began to purr and recede into crystalline distance.”

“The house is wife and mother now, and nursemaid.”

“The room is their mother and father, far more important in their lives than their real parents.”

“George Hadley walked through the singing glade and picked up something that lay in the corner near where the lions had been.”  The singing glade is an example of personification because of the human characteristic Bradbury is giving the grass or glade.

“And the whole damn house dies as of here and now.”


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