What is an allegorical significance in Robinson Crusoe?
As others have noted, Robinson Crusoe functions as a religious allegory, but perhaps it functions more interestingly from a modern perspective as an allegory for colonialism, with Crusoe as the representative or allegorical European "master" and Friday as the representative "good savage."
When Crusoe shipwrecks on an island, like a proper European colonialist he immediately lays claim to it as his domain. He sees it, as European colonialists saw the "New World," as a resource base to be exploited for his own purposes. When he does encounter a native in the form of Friday, he understands Friday (the colonialist assuming the right to impose a name on the "savage") as a lesser human, a "primitive," there to serve his needs and to be guided by Crusoe's "superior" white beliefs and ideology. Friday becomes Crusoe's servant, never his equal, and Friday's imperfect command of English becomes a symbol of his inferiority. Friday fulfills the white European fantasy of how a native should think and behave, adopting the ideology of the master:
‘You do great deal much good,’ says he; ‘you teach wild mans be good, sober, tame mans; you tell them know God, pray God, and live new life.’ ‘Alas, Friday!’ says I, ‘thou knowest not what thou sayest; I am but an ignorant man Robinson Crusoe myself.’ ‘Yes, yes,’ says he, ‘you teachee me good, you teachee them good.’
When native "cannibals" arrive on the beach of "his" domain, Crusoe uses his superior technology to frighten and intimidate them with his musket. Natives are given pejorative labels and driven off, with no thought that they might have rights to what the white man has staked out as his domain. They are "cannibals" and "savages" who deserve to die. In Robinson Crusoe, we may be said to have colonialism in microcosm.
The most important allegory in Robinson Crusoe is Crusoe's religious conversion while confined to the deserted island. He admits to never having cared for religion before, but in understanding that his continued survival could not be from anything other than divine help, come to accept religion. The novel acts as an allegory for the repentance of Man after sin, especially when brought to severe hardship; many people do not consider the role of religion until they have reason to ask for help. In Crusoe's case, he was part of a wealthy family until his shipwreck, after which he had nothing but his own survival instinct; although he asks for both forgiveness and gives thanks, he also continues to work, remembering the old axiom "God helps those who help themselves." In the same manner, people often ignore religion until they find themselves without any other recourse, and then become devout.
Robinson Crusoe’s allegorical significance comes from his Puritan upbringing around the concern for the soul, about being saved and having a deep sense of God's presence manifested everywhere. Crusoe sees conflict all around him, between good and evil, and looks for all signs towards a better understanding of his relationship to God. When he sins, he ignores God's warnings and thus hardens himself. Later he becomes repentant, finally seeking grace and mercy experiencing a conversion ultimately achieving salvation. Crusoe’s former sinfulness is a way of glorifying his faith in God as he reviews his life from a new Puritan perspective and now finally has a deep sense of God's presence in his life and in the world.