What are examples of imagery in The Scarlet Letter?
First of all, it is important to understand that imagery is description which appeals to one of the five senses. This means the author paints a picture through sight, smell, taste, sound, or touch. Imagery is not the same thing as figurative language.
One clear picture of sight and sound imagery is used in chapter 4, when Chillingworth pays a personal visit to Hester and the baby in jail. Notice the stark contrast in the description of Chillingworth's quiet demeanor as contrasted with the crying baby who is visibly and outwardly mirroring the inner turmoil of her mother.
Descriptions of Chillingworth:
The stranger had entered the room with the characteristic quietude of the profession to which he announced himself as belonging. Nor did his demeanor change when...left...face to face with the woman (66).
The "characteristic quietude of the profession" is a description of the calm confidence a physician must possess when entering the room of a patient. He conducts himself in a controlled manner, which is starkly contrasted with the out of control state of Hester (inwardly) and her baby (outwardly):
His first care was given to the child; whose cries, indeed, as she lay writhing...made it of peremptory necessity...the task of soothing her (66).
In this chapter, the reader can see and hear a screaming and upset newborn baby, and a mother who is useless to sooth her. Then, we witness a calm and collected doctor enter the room, take control of the situation, and quiet everything down to his level. The imagery here foreshadows Chillingworth's future control over other characters in the story, which he continues to do from a place of quiet and resolute calm, secrecy, and silent control.
All of the physical descriptions of the scarlet letter involving Hester, and sometimes Pearl, that pepper the novel are good examples of imagery.
In chapter II, the first description of the letter Hester embroiders appears as Hester leaves the prison and climbs the scaffold of the pillory for her hours of public humiliation. It is described as "fine red cloth" with "elaborate embroidery and fantastic flourishes of gold thread" in the shape of the letter A. Readers understand right away that its maker, Hester Prynne, is an artist, and for her, the scarlet letter is not necessarily an emblem of only shame.
In chapter VI, Pearl, who has by this point exhibited a fascination with her mother's letter, picks a handful of wildflowers and throws them at Hester's bosom "dancing up and down, like a little elf, whenever she hit the scarlet letter."
In chapter XV, entitled "Hester and Pearl," Pearl replicates the letter in green. The child takes eel grass and imitates the shape of Hester's A on her own bodice, "but freshly green, instead of scarlet."
In chapter XVIII, Hester's act of removing the scarlet letter offers stirring imagery. Hester flings it aside in the forest. It lies near the brook "glittering like a lost jewel" and symbolically frees Hester in a way that is impossible in the village that oppresses her.