When Mr. Hooper arrives to officiate at the funeral for a young maiden, the mood is already sad and somber. Thus, the "black veil. . . was now an appropriate emblem." It is black, the color of mourning, and often associated with the sadness of death, and this death is especially sad since the deceased is just a young woman who should have had many years left. The veil is mysterious, just as death is. As the pallbearers carry the girl's coffin and the minister prays over her, the veil seems fitting for the occasion.
At the wedding, on the other hand, the veil no longer feels appropriate at all. When Mr. Hooper arrives, "the first thing that [the guests'] eyes rested on was the same horrible black veil, which had added deeper gloom to the funeral, and could portend nothing but evil to a wedding." The veil's gloomy effect felt appropriate at the funeral, but it feels absolutely wrong at such a joyous occasion as a wedding. The veil affected the guests, the bride, and the groom with its strange and eerie sorrowfulness. In fact, Mr. Hooper's veil so unnerved the bride that her "cold fingers quivered in the tremulous hand of the bridegroom, and her deathlike paleness caused a whisper that the maiden who had been buried a few hours before was come from her grave to be married." The veil, then, matched the emotional quality of the funeral but completely contrasts with what the mood of the wedding ought to have been. People, therefore, are much more accepting of the veil at the funeral and much less so at the wedding.