Regarding Samuel Johnson's: "To Sir John Lade...," please explain the relationship between the content and form of the poem. "To Sir John Lade, on His Coming of Age" (‘A Short Song of Congratulation’) by Samuel Johnson Long-expected one and twentyLingering year at last is flownPomp and pleasure, pride and plentyGreat Sir John, are all your own.Loosened from the minor’s tether,Free to mortgage or to sell,Wild as wind, and light as feather,Bid the slaves of thrift farewell.Call the Bettys, Kates, and Jennys,Every name that laughs at care,Lavish of your grandsire’s guineas,Show the spirit of an heir.All that prey on vice and follyJoy to see their quarry fly,Here the gamester light and jolly,There the lender grave and sly.Wealth, Sir John, was made to wander,Let it wander as it will;See the jockey, see the pander,Bid them come, and take their fill.When the bonny blade carouses,Pockets full, and spirits high,What are acres? What are houses?Only dirt, or wet or dry.If the guardian or the motherTell the woes of wilful waste,Scorn their counsel and their pother*  (=fuss)You can hang or drown at last.

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Regarding "To Sir John Lade, on His Coming of Age" (‘A Short Song of Congratulation’) by Samuel Johnson, when looking for a connection between form and content, my first inclination is to look at the "sound" of the poem. (Remember, poems were always meant to be read aloud so as to hear the many devices the poet used in the poem's construction.)

Looking to the meter (rhythm) of the poem is the first important element in studying the poem's "sound" because it is so obvious. The meter is...

...a rhythm of accented and unaccented syllables which are organized into patterns called feet.


...trochaic meter is a foot consisting of an accented and unaccented syllable. "To Sir John Lade, on His Coming of Age" then is written with a trochaic meter.

The poem also has a set rhyme scheme. A rhyme scheme is...

...the pattern of rhyme used in a poem, generally indicated by matching lowercase letters to show which lines rhyme. The letter "a" notes the first line, and all other lines rhyming with the first line. The first line that does not rhyme with the first, or "a" line, and all others that rhyme with this line, is noted by the letter "b", and so on.

Johnson's rhyme scheme follows the rhyming pattern of ABAB. In other words, the first and third lines rhyme, and the second and fourth lines rhyme; this pattern continues throughout the poem.

The rhyming pattern also provides a sense of movement.

After analyzing what I hear when I read the poem, I look then to the poem's content. Johnson tells the story of Sir John Lade, a young man who has inherited a seemingly large fortune, whereupon he systematically goes around dropping cash in one place and then another, moving from one form of "dissipation" to the next.

While the meter gives a sense of his movement from one kind of entertainment to another—as Lade continues losing cash all the while—the meter of the poem also gives the sense of chopping: the cutting up his assets, such as houses and land, which (as Johnson notes) mean nothing more than wet or dry land to Lade. It also gives the sense of chunks of cash being squandered here and there, disappearing forever in someone else's willing hands.

It is in these ways that I feel Johnson uses the structure of his poem to support the content of his poem. (This is, by the way, a wonderful poem, not only for its content, but also its form.)


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