In Passing by Nella Larsen, who is is responsible for Clare's death? What role does the cultural construction of race play in allocating blame to someone or something for Clare's death? What roles...
In Passing by Nella Larsen, who is is responsible for Clare's death?
What role does the cultural construction of race play in allocating blame to someone or something for Clare's death?
What roles do the cultural constructions of gender and class play in allocating blame to someone or something for Clare's death?
Your question hits upon the crux of the meaning of Larsen's story: What is the responsibility that can be assigned for what happens to Clare? In a moral sense, Clare is responsible for her own end, her own death, because she chose to enact a charade that entrapped herself and others in untenable and even dangerous, as we ultimately see, situations where compromised integrity is the foundational premise for all: Irene, John, Brian, Clare. In a situational sense, John Bellow, Clare's husband, is responsible for Clare's death because of his violent intrusion at the peaceable party and because of his threatening approach toward Clare. A case can also be made that Brian Redfield bears some moral responsibility because he allows himself to be won away toward affection for Clare, bearing in mind that Brian and Irene share the name "Redfield": red (bloody)-field (blood-covered area).
Brian had gone out. She turned her face into her pillow to cry. But no tears came.
While the resolution, the ending, of the story is often called "ambiguous," one analysis renders the ending more of a "surprise" ending than an ambiguous one because of the clues that are given by Larsen as to Irene's ultimate active responsibility for Clare's death: "If Clare should die! ... to wish that ... [and] not get rid of it." With it in mind that Larsen does indicate responsibility through textual clues--like Irene's musings over her fate if her husband, Brian Redfield, should ever find out that Clare is in fact black, not white (Irene presupposes that she will lose Brian because of his growing love for Clare)--it is Irene's hand on Clare (visually supporting but ironically physically compelling) that is the direct connection between Clare and her death. This means that it is Irene who is legally and finally morally responsible for Clare's death.
That beauty that had torn at Irene's placid life. Gone! ... Irene wasn't sorry. She was amazed, incredulous almost.
What would the others think? That Clare had fallen? That she had deliberately leaned backwards? Certainly one or the other. Not--