In "the shower scene" in the movie Psycho, what style of editing, shots, and visual transitions are used?

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The murder scene of Marion Crane (played by Janet Leigh) in the shower in Alfred Hitchcock's Psycho is a sequence of storytelling that changed modern cinema. It took an entire week to film, 78 camera set ups were used, and, in the end, 52 cuts between shots.

Hitchcock makes extensive use of jump cuts and 180 degree shifts in viewpoint from shot to shot. This creates a dizzying effect as we watch. The editors actually remove 4 or 5 frames of film in the middle of shots to disorient us even further, to create a sense of disconnection as we watch. There is a shot of Janet Leigh's hand reaching out, followed by a jump cut to her up against the shower wall. Several frames were removed in the middle of this shot to create a visual transition that makes it feel as though Leigh just slammed up against the tile shower wall.

Most the scene's shots are close-ups of very short duration. This creates an aura of subjective menace and terror. As Hitchcock stated:

As you know, you could not take the camera...

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